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INSIDE

AND OTHER SHORT FICTION

Not exactly cheery or uplifting—as if the eight women writers share the same depressed consciousness.

Eight short stories about contemporary Japanese women grappling with the darker sides of sexuality.

Despite having different translators, the volume’s first two stories, both of which revolve around teenaged protagonists on the cusp of losing their virginity, have a similar monotone of stoic passivity. The narrator of “Milk,” by Tamaki Daido, feels increasingly alienated from her childhood friends, but her new sexual connection with her boyfriend seems a poor substitute. In the title story, by Rio Shimamoto, the narrator witnesses the dissolution of her parents’ marriage while she is deciding whether to have sex with her boyfriend. In the third story, “Piss,” by Yuzuki Muroi, a 20-year-old prostitute is victimized by her boyfriend as well as by sadistic clients. Her only solace comes from one of her regulars, an older man who drinks her urine. A sense of never-realized threat permeates Shungiku Uchida’s “My Son’s Lips,” in which a working mother reluctantly allows a cab driver to take her and her children to his apartment to advise his wife on housekeeping. Similarly, the divorcee in “Her Room,” by Chiya Fujino, agrees against her will to visit a new acquaintance whose neediness verges on menacing. In the volume’s last three stories, realism gives way to more experimental explorations of the female psyche. The narrator of Amy Yamada’s “Fiesta” is the impulse/emotion Desire whose destiny is determined by the actions of the woman whose body Desire inhabits. The dreams of an unmarried office worker desperate for a child are at the center of “The Unfertilized Egg,” by Junko Hasegawa. In the final and richest story, “The Shadow of the Orchid,” by Nobuko Takagi, a housewife’s jealousy of her surgeon husband’s dead patient conjures up the young woman through an orchid she gave the doctor before her death.

Not exactly cheery or uplifting—as if the eight women writers share the same depressed consciousness.

Pub Date: June 5, 2006

ISBN: 4-7700-3006-1

Page Count: 256

Publisher: Kodansha

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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