A masterpiece, pure and simple.
Ozeki’s magnificent third novel (All Over Creation, 2003, etc.) brings together a Japanese girl’s diary and a transplanted American novelist to meditate on everything from bullying to the nature of conscience and the meaning of life.
On the beach of an island off British Columbia’s coast, Ruth finds a Hello Kitty lunchbox containing a stack of letters and a red book. The book contains 16-year-old Nao’s diary, bound within the covers of Marcel Proust’s In Search of Lost Time—and that’s no accident, since both funny, grieving Nao and blocked, homesick Ruth are obsessed with time: how it passes, how we live in it. Nao wants to “drop out of time”; so does her father, a computer programmer who spent 10 years in California’s Silicon Valley before the dot-com bust apparently sent the family back to Tokyo and subjected Nao to vicious bullying at school. Ruth moved from New York City to Canada since it was an easier place to care for her sick husband and dying mother but now feels the move was “a withdrawal” and is finding it hard to write. She plunges into Nao’s diary, which also includes the stories of her 104-year-old great-grandmother, Jiko, an anarchist and feminist turned Buddhist nun, and Jiko’s son Haruki, a philosophy student forced to become a kamikaze pilot during World War II. The letters in the lunchbox are Haruki’s, and his secret army diary begins the book’s extended climax, which transcends bitter anguish to achieve heartbreaking poignancy as both Nao and Ruth discover what it truly means to be “a time being.” Ozeki faultlessly captures the slangy cadences of a contemporary teen’s voice even as she uses it to convey Nao’s pain and to unobtrusively offer a quiet introduction to the practice and wisdom of Zen through Jiko’s talks with her great-granddaughter. The novel’s seamless web of language, metaphor and meaning can’t be disentangled from its powerful emotional impact: These are characters we care for deeply, imparting vital life lessons through the magic of storytelling.
A masterpiece, pure and simple.Pub Date: March 12, 2013
ISBN: 978-0-670-02663-0
Page Count: 432
Publisher: Viking
Review Posted Online: Jan. 19, 2013
Kirkus Reviews Issue: Feb. 1, 2013
PROFILES
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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