Spicy and sweet by turns, with crackle and bite throughout.
Tasty revelations of Gourmet magazine editor Reichl’s undercover antics as the former food critic at the New York Times.
Some readers might pause at the thought of a third volume of memoirs from a woman not even through her middle age, but for foodies with a penchant for the inside scoop, Reichl’s behind-the-scenes stories of the Gray Lady deliver the goods. Before working at the Times, Reichl was quite happy writing restaurant reviews at the Los Angeles Times; she was wooed and won in spite of her misgivings. Almost immediately, her photo was posted in restaurant kitchens across the city. In response, Reichl embarked on a cloak-and-dagger—or wig-and-pseudonym—campaign that she carried on through her tenure at the paper. Her first role was as the fictional Molly Hollis; to achieve the transformation, Reichl donned the wig, suit, padding and makeup she imagined for the character of a midwestern, middle-aged, former schoolteacher. She also dressed up as a flamboyant redhead, a nearly invisible elderly lady, and her own inimitable mother. Where Reichl went, controversy followed. As Molly Hollis, she had a dreadful experience at Le Cirque, prompting her to take away the restaurant’s fourth star. A casual Californian, she widened the paper’s scope to include as many truly fine restaurants as she could find, touting soba, bulgogi and sushi to readers more accustomed to reading about Continental cuisine. Here, some characters are disguised, while others, such as her predecessor Bryan Miller, whose campaign against her was revealed in the gossip column of the New York Post, are right out in the open. Reichl also discusses her disrupted family life. And then there’s the food: Reichl excels at making long-gone meals live vividly on the page.
Spicy and sweet by turns, with crackle and bite throughout.Pub Date: April 11, 2005
ISBN: 1-59420-031-9
Page Count: 320
Publisher: Penguin Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
PROFILES
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
