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MISCONCEPTION

Falters slightly just when it ought to soar, but keep your eye on Boudinot: He’s on his way up.

Boffo comedy and compassionate attention to everyday familial and sexual boondoggles are almost perfectly blended in this zesty first novel from button-pushing Boudinot (stories: The Littlest Hitler, 2006).

It begins with adolescent Cedar Rivers getting suspended for bringing in a container of his semen for a school science project. His father, an overstressed lawyer, is suitably POed, but Cedar’s mom, a medical photographer who’s seen us all at our inner worst, takes it in stride. His classmates are mostly grossed out, except for incipient hot chick Kat, who’s so taken with the pure product of Cedar’s gonads that she stores it “in a secret compartment beneath her bracelets and necklaces,” and designates him her de facto boyfriend. Some 20 years and many romantic crises later, he is an unmarried medical-company rep, and she a published writer of fiction whose just-completed memoir implicates Cedar in her personal history so vividly that Kat requires his permission to publish it. Cross-cutting deftly between their shared and separate adolescences and early adulthoods, the author assembles an irresistible R-rated comedy that features such attention-getting supporting players as the phlegmatically goofy host family that shelters Cedar when his parents combust, Kat’s seductively trampy mother Veronica, the latter’s loose-cannon ex Jerry and his designated replacement George, a weird combination of prude and provocateur. Boudinot displays crack comic timing, gets off some wonderfully indecent one-liners and constructs one credibly replete face-off scene after another; even a throwaway conversation between the chastened Cedar and a worldly-wise psychiatric counselor bristles with ironic wit. The central plot issue, hinted at by the perfect title, is handled with consummate energy and tact. Alas, all these wonders are seriously compromised by an unconvincingly melodramatic climax. Too bad, because for most of the way this kick-ass yarn threatens to become the most inviting comedy of wasted youth since Tom Perrotta’s The Wishbones (1997).

Falters slightly just when it ought to soar, but keep your eye on Boudinot: He’s on his way up.

Pub Date: Sept. 1, 2009

ISBN: 978-0-8021-7065-1

Page Count: 224

Publisher: Black Cat/Grove

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2009

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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