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AMERICAN FIX

INSIDE THE OPIOID ADDICTION CRISIS--AND HOW TO END IT

A solid contribution to the debate surrounding not just the facts of drug addiction, but also the larger implications,...

Inside view of the opioid crisis by former White House staffer Hampton, who was an opioid user for 10 years and is now a recovery advocate.

“If you do not have substance use disorder,” writes the author, “you can be certain that at least one person you know does.” The math is likely given the millions of people who are addicted to opioids or are related to those unfortunates. The story is common: Hampton suffered an ankle injury, was prescribed Dilaudid, and came back for second helpings on a prescription from one doctor, and then another, who was glad to help. This opens onto a tale involving a pharmaceutical industry that fudged numbers, sent out legions of salespeople to assure doctors that their prescriptions would be safe, and then reaped vast profits. Following Beth Macy and other observers, Hampton notes that the results have been devastating in small communities. Upon hitting his own bottom, he fell into the orbit of advocate/activist Greg Williams, founder of a recovery group called Facing Addiction that aimed to see that “people like me were treated like human beings, with equal opportunities and equal rights as everyone else.” With a background in politics and time spent as a presidential staffer, Hampton has a political take on parts of FA’s advocacy. He urges, for instance, that voters be sure that their elected representatives understand how addiction and recovery work, that they’re not wholly implicated in what he calls the system of “medically sanctioned mass murder” promoted by drug manufacturers, and that they uphold Eighth Amendment rights so that prisons cannot withhold treatment from jailed addicts: “No more cages, solitary confinement, and zero recovery.” Moreover, Hampton calls for a rethinking of recovery programs generally to step away from the 28-day model and instead focus on the long term, with a five-year plan of inpatient treatment, outpatient support, and adequate social and legal protections for addicted people.

A solid contribution to the debate surrounding not just the facts of drug addiction, but also the larger implications, societal, political, and economic.

Pub Date: Aug. 28, 2018

ISBN: 978-1-250-19626-2

Page Count: 304

Publisher: All Points/St. Martin's

Review Posted Online: May 27, 2018

Kirkus Reviews Issue: June 15, 2018

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A TALE OF LOVE AND DARKNESS

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.

“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

Pub Date: Nov. 15, 2004

ISBN: 0-15-100878-7

Page Count: 544

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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