You won’t look at those young, white-shirted Mormon men on their bicycles in quite the same way again.
In which Mormon missionaries take positions, some contrary, dark and violent.
Elder McLeod is a brooding young man with the natural tendencies of a juvenile delinquent; about the first thing we learn about him is that he is inclined to make “a half show of resistance” about all things, not least the work he’s doing. So why is he sweating his way through “the close, crucible heat” of Brazil? Therein hangs part of ex-Mormon writer McIlvain’s smart if anticlimactic yarn of a not-so-quiet American who, on his required mission as a newly minted Mormon “elder,” butts up against a real elder, an older Brazilian named Elder Passos who has very different ideas of how the world works and who’s in charge than McLeod. Passos is earnest and dogged, not inclined to give up. And he loves a good challenge, including the one set before him and his missionary partner by a lively and willing young woman and her much less pliable husband, who, when confronted with the prospect of converting, counters that if she wants to be religious, she should go to Mass more often. There’s more to it than all that, of course, and Josefina—she of the cutoff jeans “and the legs in them”—poses a crisis of conscience for McLeod that will lead to some spirit-shattering moments as he and Passos wrestle like Jacob and the angel. McIlvain, a recent Stegner Fellow, does a fine job of setting up the multifaceted conflict that guides his swiftly paced novel, and if the resolution seems both incomplete and hurried, the writing is assured and often quite funny, as when McLeod, grappling for the Portuguese necessary to acquire the services of a hooker, comes up with a biblical equivalent that has his provider proclaim, happily, “I’m your harlot.”
You won’t look at those young, white-shirted Mormon men on their bicycles in quite the same way again.Pub Date: March 5, 2013
ISBN: 978-0-307-95569-2
Page Count: 304
Publisher: Hogarth
Review Posted Online: Feb. 24, 2013
Kirkus Reviews Issue: March 15, 2013
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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