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ROMEO AND/OR JULIET

A CHOOSEABLE-PATH ADVENTURE

“Seems pretty cool!” according to a high school sophomore, surely the target market for these high jinks.

Dude! You won’t believe this! An interactive novel updates the world’s most awesome romance with new characters, plotlines, slang, puzzles, illustrations, and a cookie recipe.

The best way to explain how this “choose your own path” rendition of Shakespeare’s hoary old play works is to show you. This, for example, is section No. 155: “You look up to the balcony. A light is on inside! 'But soft, what light through yonder window breaks?' you whisper.…A naked old dude steps out from the light onto the balcony.…His naughty bits are dangling in the breeze....'AW GROSS, I THINK THAT’S HER DAD,' you say, moving away to investigate another balcony. 'NICE WEEN THOUGH.' " Then you choose one of these options: “Examine the nearby stone balcony: turn to 109” or “Examine some other balcony instead: turn to 167." If you choose 109, you’ll be seeing a wrinkled old lady in a nightgown—her mom. If you choose 167, you’ll find the superhot mega-babe you met at that party last night. Then you make another choice, and so it goes, flipping back and forth through the book, until you come to one of more than a hundred different endings, each featuring an illustration by a dream team of cartoonists. You can choose to be Romeo or Juliet—TEAM MONTAGUE or TEAM CAPULET—and depending on your choices, you may go to brunch with Benvolio at The Merchant of Breakfast, visit Ophelia in Denmark, or trade dumb sex puns with Mercutio…and you don’t necessarily have to die in the end! One of the options is to actually become Juliet’s glove—though sadly, “gloves are not capable of sentient thought.” North, who funded the first of these books (To Be or Not To Be, 2013) with a Kickstarter, has scattered the entire text of the play among the 474 numbered sections.

“Seems pretty cool!” according to a high school sophomore, surely the target market for these high jinks.

Pub Date: June 7, 2016

ISBN: 978-1-101-98330-0

Page Count: 400

Publisher: Riverhead

Review Posted Online: March 29, 2016

Kirkus Reviews Issue: April 15, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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