Home-grown terrorists and dedicated FBI agents produce mixed results in Pearson's third entry (October's Ghost, 1994, etc.) in the high-tech thriller genre. FBI Agents ``Frankie'' Aquirre and Art Jefferson are back, now on the trail of John Barrish, a white supremacist leader who hopes to ignite an American race war. Aquirre and Jefferson are called to the scene of an accidental dispersal of nerve gas—in a residential area. The initial victims are the backroom chemist who made the gas, and the unlucky buyer (followed by police and paramedics attempting aid). Further investigation reveals that at least another two cylinders of the gas, called VZ, exist, somewhere, each with the potential to kill thousands. Meanwhile, Barrish and his people have contacted NAFL, a radical African-American group bent on exacting revenge on white America. Barrish's people pay NAFL to set off a VZ cylinder in the air system of an LA skyscraper—with the result that 2,000 are killed, and the country begins to panic. Barrish then uses NAFL for his big finale—gassing the President and Congress during the State of the Union address, with the unwitting help of a US congressman. Once the country sees its leadership murdered by radical minorities, Barrish believes that America will kill or expel all nonwhites. But the real stars here are the explanations of how things work, from haz-mat protection suits and high-rise air-conditioning systems to the chemical make- up of nerve gases and the horrendous descriptions of how they attack the human body. Too bad there isn't more suspense. Pearson reveals every action of the bad guys, with Aquirre and Jefferson playing catch-up: an often successful framework, if the investigative process is compelling. It's not, and slows down an otherwise engaging plot. High-tech convincingly rendered for the layman, plus a few riveting action scenes—sandbagged by the weight of a lackluster investigation.
Pub Date: July 1, 1995
ISBN: 0-688-12983-8
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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