Understated mystery concentrating on a morally ambiguous legal process—and riveting throughout.
In Dymond’s debut thriller, New York cops fight to bring a murderer to justice when the victim is a fellow officer’s sister.
The murder and mutilation of a Schenectady County woman unnerves local police. She was, after all, Officer Ed Roletti’s baby sister, Mary. Cops question friends and former boyfriends, but it’s evidence at the scene that narrows the suspects. Three of four sets of prints—the fourth unknown—lead to Ed and a couple of ex-lovers. With Capt. Jim Pollack refusing to believe Ed’s the killer and one ex in jail—that leaves only Chucky Dericardo. Some, like Detective Bill Watkins, aren’t convinced that Chucky’s their guy, but most at the police department see enough to justify arresting him for murder. District Attorney Franklin Dorey believes a conviction could improve his career prospects, but he’s understandably on edge when learning that Chucky hired notorious criminal defense lawyer John Upton. An ensuing trial, with no side dominating the other, ends with a jury’s decision, but it’s far from over. Seven years later, a SWAT raid uncovers something that causes everyone to reexamine Chucky’s case. What follows is a number of surprises, including another trial or two and more murder. The novel starts as a procedural before merging into a legal thriller. It’s a subdued mystery, thanks primarily to the plot’s hefty amount of realism. No incriminating clue, for example, points to a probable killer, and the arrest of Chucky is via process of elimination. Chucky, too, may be a viable suspect, but nothing ties him directly to the body. Told from multiple perspectives, there’s consequently no real protagonist; while a lack of viewpoint from Chucky keeps his guilt/innocence a secret but affords him no chance for sympathy. Female characters barely register, like Tammy Smith, sole woman in Jim’s unit, who disappears early. Nevertheless, the men are fascinating, particularly Bill, who obsessively counts his tie’s polka dots while watching the murder trial. And the ending, which wraps up everything, is bound to stick in readers’ heads.
Understated mystery concentrating on a morally ambiguous legal process—and riveting throughout.Pub Date: Feb. 1, 2016
ISBN: 978-0-9969677-2-3
Page Count: 266
Publisher: Chunky Pops Publishing
Review Posted Online: April 18, 2016
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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