A riveting, energetic sequel with lead characters worth rooting for.
A U.S. agent takes on a dangerous undercover assignment to dismantle a neo-Nazi group in this third installment of a thriller series.
Kolya Petrov suffers from PTSD after the torture he endured just a year ago. But he’s more than ready when the Executive Covert Agency hands him his latest mission. Kolya, a Russian Jewish immigrant, may even have a personal reason to take down German-based white supremacists. He heads overseas and cozies up to their apparent leader, Frederick Bauer, who’s got his sights set on the Jewish director of an organization outing local Nazis. Kolya, struggling to maintain his covert identity, also faces an unforeseen threat. Bauer’s girlfriend, Lisette Vogel, has her own lethal agenda. She’s secretly hunting the wolf-tattooed neo-Nazi who killed her beloved father. She’s dispatched murderous men along the way, and as she suspects Kolya to be another killer Nazi, he may soon wind up on her hit list. But with Bauer suspecting a traitor to the “cause,” neither Kolya nor Lisette is safe, and both are determined to expose the diabolical plan Bauer’s group has brewing in Manning’s (Nerve Attack, 2021, etc.) tale in which the action rarely lets up. Kolya and Lisette face relentless peril, as naturally distrustful Bauer questions any number of things they do or say. While the neo-Nazis are indisputable villains, other characters have layered personalities; Lisette has flashes of guilt, even when knocking off killers, and Kolya’s cherished fiancee takes up residence in his mind. The author sets an impressive pace, driving the plot forward while slyly reminding readers of Kolya’s rotating identities and dropping subtle nods to earlier series events. In the end, this narrative makes it clear that Nazis, not Germans, are evil. Certain members of that hateful batch, for one, hail from other countries, while Manning showcases the beauty of Germany by often lingering on its historically rich cities and towns.
A riveting, energetic sequel with lead characters worth rooting for.Pub Date: Nov. 9, 2022
ISBN: 978-1-64599-404-6
Page Count: 366
Publisher: Encircle Publications, LLC
Review Posted Online: Sept. 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A weird, wild ride.
Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.
Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.
A weird, wild ride.Pub Date: June 21, 2022
ISBN: 978-0-593-18319-9
Page Count: 368
Publisher: Dutton
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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