Doesn’t deliver anything it aims for.

READ REVIEW

FORGERY

From Murray (A Carnivore’s Inquiry, 2004, etc.), a disappointing novel set in a politically-charged Greece, mainly on the fictionalized island of Aspros in 1963.

It’s much more fun to describe the contents of the novel than to actually read it. Rupert Brigg is visiting Greece to uncover antiquities—even fake ones will do—for the man he calls Uncle William, but who is really his father. Along the way, Brigg meets a cluster of people: Clive and Nathan, a gay couple; Jack and Amanda, an artist and his promiscuous wife; the handsome Nikos, Amanda’s lover; Hester, the wife Rupert divorced; Olivia, who falls in love with Rupert but dies of cancer; and Steve Kelly, a prying newspaperman, as well as various revelers, diggers and double-crossers. In weak homage to Hemingway, there’s an astonishing amount of drinking and smoking. So let’s see…we have Greece, island caves, political and personal intrigue, art (and its simulacrum—see title), adultery, terminal illness and even murder, but it all adds up to very little. The novel has no pace or drive, no buildup or payoff. The murder doesn’t particularly interest the reader, and the revelation of the murderer is practically mentioned as an aside. Even Rupert’s personal tragedy—the death of his two-year-old son Michael—doesn’t give him much depth, and we don’t feel sympathetic to his coping mechanisms. We’re told how talented an artist Jack is, but the idolatry on which the novel ends seems misplaced. At one point Rupert seems to uncover in himself some aptitude for art, perhaps arising from his training as an expert in authenticating furniture, but with his usual ennui he explains to Nikos that he has “no creative urge. No obsession. No glorious dementia… No gift.” That about sums things up.

Doesn’t deliver anything it aims for.

Pub Date: June 1, 2007

ISBN: 978-0-8021-1844-8

Page Count: 304

Publisher: Grove

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2007

Did you like this book?

No Comments Yet

An exuberant comic opera set to the music of life.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2020

  • Kirkus Prize
  • Kirkus Prize
    finalist

  • New York Times Bestseller

  • IndieBound Bestseller

DEACON KING KONG

The versatile and accomplished McBride (Five Carat Soul, 2017, etc.) returns with a dark urban farce crowded with misjudged signals, crippling sorrows, and unexpected epiphanies.

It's September 1969, just after Apollo 11 and Woodstock. In a season of such events, it’s just as improbable that in front of 16 witnesses occupying the crowded plaza of a Brooklyn housing project one afternoon, a hobbling, dyspeptic, and boozy old church deacon named Cuffy Jasper "Sportcoat" Lambkin should pull out a .45-caliber Luger pistol and shoot off an ear belonging to the neighborhood’s most dangerous drug dealer. The 19-year-old victim’s name is Deems Clemens, and Sportcoat had coached him to be “the best baseball player the projects had ever seen” before he became “a poison-selling murderous meathead.” Everybody in the project presumes that Sportcoat is now destined to violently join his late wife, Hettie, in the great beyond. But all kinds of seemingly disconnected people keep getting in destiny's way, whether it’s Sportcoat’s friend Pork Sausage or Potts, a world-weary but scrupulous White policeman who’s hoping to find Sportcoat fast enough to protect him from not only Deems’ vengeance, but the malevolent designs of neighborhood kingpin Butch Moon. All their destines are somehow intertwined with those of Thomas “The Elephant” Elefante, a powerful but lonely Mafia don who’s got one eye trained on the chaos set off by the shooting and another on a mysterious quest set in motion by a stranger from his crime-boss father’s past. There are also an assortment of salsa musicians, a gentle Nation of Islam convert named Soup, and even a tribe of voracious red ants that somehow immigrated to the neighborhood from Colombia and hung around for generations, all of which seems like too much stuff for any one book to handle. But as he's already shown in The Good Lord Bird (2013), McBride has a flair for fashioning comedy whose buoyant outrageousness barely conceals both a steely command of big and small narrative elements and a river-deep supply of humane intelligence.

An exuberant comic opera set to the music of life.

Pub Date: March 3, 2020

ISBN: 978-0-7352-1672-3

Page Count: 384

Publisher: Riverhead

Review Posted Online: Dec. 9, 2019

Kirkus Reviews Issue: Jan. 1, 2020

Did you like this book?

No Comments Yet

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Our Verdict

  • Our Verdict
  • GET IT

Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

  • Pulitzer Prize Winner

  • National Book Award Finalist

ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

Did you like this book?

No Comments Yet
more