Not at all bad, but given that Mario Vargas Llosa covered much of the same ground in his superior 2010 novel, The Dream of...
A long yarn recounting the life of Irish revolutionary Roger Casement and real-life best friend Herbert Ward, the British writer and artist.
It won’t be a spoiler to note that Casement was executed for treason by the British government, having traveled to Germany during World War I to solicit help for the cause of Irish independence. Did personal motivations underlie his devotion to that cause, perhaps connected to his guarded but evident homosexuality? (“Someone was saying at dinner that you’re like Wolf Tone,” one interlocutor says. “Maybe he liked boys?”) Certainly, Murray (Tales of the New World, 2011, etc.) recounts, Casement's friendship with Ward was unusually deep; in a closing moment, Ward finds a photograph that Casement has folded in half to exclude two other figures, so that “it appeared that they had been photographed as a couple.” But there is another love at play once Ward and Casement emerge from their career-defining adventures in the wilds of Africa: Sarita Sanford, a fetching heiress savvy enough to know that taking up with Ward is a fiscal risk that will pay off in “a loss of innocence”—to which she appends the dismissive thought, “How romantic.” Though the novel is populated with other characters, the essence of the story is the triangle formed by Sanford, Ward, and Casement; of the three, Sanford is the most interesting. Murray casts inevitable tragedy (“She feels a grip—a chill—and wonders why of all things she’s feeling this: the pull of grief”), but while she has a good eye for character, some of the energy of the story melts away in pointless chatter. The storyline could stand some tightening, too, though it resolves nicely.
Not at all bad, but given that Mario Vargas Llosa covered much of the same ground in his superior 2010 novel, The Dream of the Celt, Murray’s version of the Casement story seems superfluous.Pub Date: Nov. 1, 2016
ISBN: 978-0-8021-2545-3
Page Count: 496
Publisher: Grove
Review Posted Online: Aug. 15, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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