Adolescent in well-worn genre territory; exciting for the forgiving reader.
Fate, grief and sacrifice collide in a manga-like fantasy realm with characteristic violence and straightforward presentation.
Within the first 10 pages of Forsythe’s novel, Chiyo Alglacea, a wife and mother of a young daughter, opens her eyes to find herself in a strange field, steps in freshly eviscerated intestine, urinates herself, breaks a man’s nose and picks up a sword. The action departs infrequently from this terrain, because the once meek Chiyo wakes with a new personality streak—carnal violence and moral ambivalence when threatened. This inexplicable dualism, “the beast within her,” serves her well as she joins rogue warriors Muhjah and Senka, and the three travel together, murderously sabotaging Emperor Kenichi’s despotic rule over the country of Dashkalil. Characters are simply drawn—naïvely dutiful peasants, simpering, secretly manipulative priestesses and devil-may-care sword swingers. Chiyo’s grief over losing her family and her battle with the grim portents of her fate will resonate with readers, but the rote telling and predictable unfolding of events sentimentalizes her situation until it’s no longer emotionally relatable. The plot isn’t dull, just well trodden. As characters fight, plot and pray, most aren’t categorically right or wrong—there is a consistently nuanced notion of good and evil—which is refreshing in the genre. Also, the religion of Dashkalil, the Sacerdotisa, oddly referred to as a sect or cult (misnamed because it’s the sole spiritual practice of the realm), makes a surprisingly altruistic sacrifice of power in the end, based on the belief that human beings, if we listen, are innately connected and born with a tacit respect for the earth. It’s a sobering moment in a bloody story, but the book’s tone is so direct it’s almost pedantic, which is stifling when there is a lesson to be learned or a point to be made. Philosophical or political arguments fall short, and a lot of the novel’s mythology is left unexplained—time travel, the appearance of Chiyo’s bestial side, why everyone speaks English.
Adolescent in well-worn genre territory; exciting for the forgiving reader.Pub Date: Dec. 1, 2011
ISBN: N/A
Page Count: -
Publisher: Lulu
Review Posted Online: Oct. 10, 2011
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
