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WHITE FLOWERS OF YESTERDAY

Ably explores a bygone milieu while trafficking in high emotional drama.

A historical novel of royal intrigue and Machiavellian machinations, set during the halcyon days of the 18th-century French court, by retired accountant and author Gananathan.

The heroine of Gananathan's emotionally haunting debut is Kathryn Verne, the former lover of the Duke of Orleans. As the book opens, Kathryn has fled the tumult of the city and returned to the country estate where she was raised. She spends the next few hundred pages recalling her life in the royal court, which was experienced fully, wildly and deeply. Kathryn, Gananathan writes, was once a true ingénue, blessed with blue eyes that reflected "innocence coupled with youthful exuberance" and "pink lips" opened "as though about to break into a shy smile." But her innocence left her open to the advances of the relatively disagreeable Duke of Orleans. The Duke treated young Kathryn with apparent affection until she became pregnant, when he unceremoniously tossed her aside. (Par for the course, unfortunately, as far as 18th-century court life.) Eventually, he became the regent of France, which was another bout of bad news for Kathryn. Her son, Daniel, was kidnapped, and she was forced to go on the lam for the better part of a decade. So where did Daniel vanish to? Is he still alive? This is a hinge point in White of Flowers of Yesterday–even as Gananathan moves backwards in time, recounting the splendor of Kathryn's time among the royals, she ratchets up the suspense. Kathryn eventually finds a modicum of happiness, but not before the reader has been dragged through a long stretch of misery and heartache. Fortunately, the author has a pleasant style, and she dresses up what might have been a flat history lesson with a surfeit of grace and wit. For a reader interested in the social jousting of 18th century France, White Flowers of Yesterday will be a treat.

Ably explores a bygone milieu while trafficking in high emotional drama.

Pub Date: N/A

ISBN: 978-1-4401-6620-4

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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