A delightful debut, tender and funny. The mystery takes on the worldwide problem of abused women while revealing both the...
A South African woman cooks out of love while hoping for the real thing.
Tannie Maria’s mother was Afrikaans, her father English, and her late husband an abuser whose passing she does not mourn. She lives with her five chickens on a small property in the Klein Karoo and writes a recipe column for the Klein Karoo Gazette until her friend and editor, Hattie Christie, tells her that the head office wants an advice column and there’s no room for both the new feature and her recipes. The good news is that Tannie Maria can write the new column. Since the only thing she knows about love concerns cooking, she combines the two in “Tannie Maria’s Love Advice and Recipe Column” and achieves a smashing success. One of the first letters she receives is from Martine van Schalkwyk, whose equally abusive husband has recently shot the ducks she received as a gift from a female friend. The columnist sends advice and a recipe, but neither prevents Martine’s death. Tannie Maria and Jessie Mostert, the ambitious young investigative journalist for the Gazette, decide to investigate, to the consternation of Detective Lt. Henk Kannemeyer, a widower who takes a shine to Tannie Maria but wishes she would stick to cooking. Although Tannie Maria, Jessie, and Anna Pretorius, Martine’s grieving friend, all think Dirk van Schalkwyk killed his wife, the police arrest Anna, whose fingerprints are on the murder weapon. Anna and Dirk, each convinced the other is the murderer, nearly kill each other, but Tannie Maria and Jessie think otherwise.
A delightful debut, tender and funny. The mystery takes on the worldwide problem of abused women while revealing both the beauties and problems of South Africa. And the recipes will make you want to drop everything and start cooking.Pub Date: Nov. 3, 2015
ISBN: 978-0-06-239766-9
Page Count: 432
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 16, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir...
Dr. Alex Cross has left Metro DC Homicide for the FBI, but it’s business as usual in this laughably rough-hewn fairy tale of modern-day white slavery.
According to reliable sources, more people are being sold into slavery than ever before, and it all seems to be going down on the FBI’s watch. Atlanta ex-reporter Elizabeth Connolly, who looks just like Claudia Schiffer, is the ninth target over the past two years to be abducted by a husband-and-wife pair who travel the country at the behest of the nefarious Pasha Sorokin, the Wolf of the Red Mafiya. The only clues are those deliberately left behind by the kidnappers, who snatch fashion designer Audrey Meek from the King of Prussia Mall in full view of her children, or patrons like Audrey’s purchaser, who ends up releasing her and killing himself. Who you gonna call? Alex Cross, of course. Even though he still hasn’t finished the Agency’s training course, all the higher-ups he runs into, from hardcases who trust him to lickspittles seething with envy, have obviously read his dossier (Four Blind Mice, 2002, etc.), and they know the new guy is “close to psychic,” a “one-man flying squad” who’s already a legend, “like Clarice Starling in the movies.” It’s lucky that Cross’s reputation precedes him, because his fond creator doesn’t give him much to do here but chase suspects identified by obliging tipsters and worry about his family (Alex Jr.’s mother, alarmed at Cross’s dangerous job, is suing for custody) while the Wolf and his cronies—Sterling, Mr. Potter, the Art Director, Sphinx, and the Marvel—kidnap more dishy women (and the occasional gay man) and kill everybody who gets in their way, and quite a few poor souls who don’t.
As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir the slightest sympathy.Pub Date: Nov. 5, 2003
ISBN: 0-316-60290-6
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
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