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RADCLYFFE HALL

A WOMAN CALLED JOHN

This workmanlike biography is a welcome fleshing out of a writer still largely known for just one of her books, the pioneering lesbian apologia The Well of Loneliness. Cambridge University scholar Cline (Women, Passion and Celibacy, 1994, etc.) gives Hall (18801943) her due by devoting equal attention to her other works, which in her own time made her a broadly admired writer with a fairly unadventurous style. Hall was a prize-winning novelist (and a poet whose sentimental verses were set to music and became popular anthems) long before she set out to explain the sexual ``inversion'' of women to a heterosexual audience. When The Well of Loneliness came around in 1928, however, Hall was very much in the vanguard in theme, if not in form. Cline's strength lies not so much in psychological insight on Hall herself as in the elucidation of the sexual issues—and more general themes such as the experience of the outsider, courage and spiritual searching—that governed Hall's life and writing. Many of these themes—varying speculations on the nature of homosexuality, the subversion of gender norms—have become familiar, but Cline very vividly portrays an era when they were thrilling discoveries daringly lived out by individual pioneers like Hall herself and the wide cast of colorful characters Cline assembles. The independently wealthy Hall moved in racy circles with the likes of Violet Hunt and Tallulah Bankhead; her longtime partner, Una Troubridge, was the wife of an admiral, whose social company had run to Churchills and Asquiths. Cline limns the polymorphous existence of lesbianism among different classes of women over Hall's lifetime, from a late Victorian tolerance of intimate female ``friendship'' to the harsh moralistic attacks on The Well of Loneliness. Apart from its valuable contribution to the study of lesbian literature per se, this biography dramatizes through Hall's life the complex and still often surprising sexual politics of the early century. (16 b&w illustrations, not seen)

Pub Date: Feb. 25, 1998

ISBN: 0-87951-831-6

Page Count: 448

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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