Breezy glimpse into the behind-the-scenes shenanigans of modern celebrity culture and the women’s-magazine business.
Dedicated editor-in-chief’s brilliant career goes into a tailspin after a flamboyant celebrity takes over her magazine, a plot that mirrors the litigious saga of Rosie (i.e., O’Donnell) magazine, to which former McCall’s editor Koslow bore witness.
Magnolia Gold might have been born Maggie Goldfarb in Fargo, N.D., but years in the magazine industry have polished her into an elegant Manhattanite who welcomes every day as chief tastemaker for Lady magazine. Sure, the somewhat staid women’s title could use a redesign, and that is exactly what Magnolia has planned when the word comes down from corporate that her beloved Lady is being transformed into Bebe, after popular, opinionated talk-show host Bebe Blake. Never mind that plus-sized, foulmouthed Bebe knows nothing about magazines, her addition is assumed to be an opportunity for the company to “mint money” and Magnolia is summarily demoted to a smaller office where she is called upon to execute Bebe’s vision, even if that includes an NRA-friendly cover shot that alienates the readership. The capricious Bebe is an unprofessional nightmare who shows up drunk to her own launch party and at one point tries to seduce a young male intern, but she is also capable of big-hearted surprise gestures, such as when she “gives” British actor Hugh Grant to Magnolia for her birthday. And as difficult as Magnolia’s position is, it is her oily CEO Jock Flanagan who really gives her trouble—ultimately firing her after she rejects his adulterous advances. Our unemployed heroine is then left to ponder her future as she fights for money owed her by her former corporate overlords, while simultaneously navigating her way through the tricky waters of dating. Perched on the sidelines, she then has a perfect view of the bittersweet dissolution of Lady/Bebe, and is forced to choose between the lesser of two evils when both Jock and Bebe call on her to testify in competing lawsuits against each other. Koslow’s zippy prose ably captures the manic intensity and not-always-glamorous world of New York magazines—even if classy Magnolia and her so-so love life are a bit of a snooze. Far more intriguing is the flawed maverick Bebe.
Breezy glimpse into the behind-the-scenes shenanigans of modern celebrity culture and the women’s-magazine business.Pub Date: April 19, 2007
ISBN: 0-399-15415-9
Page Count: 384
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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