First-rate historical fiction: marvelously atmospheric and emotionally engaging.
British author O’Reilly makes her U.S. debut with a gripping novel that gives feisty feminist voice to the unknown woman who inspired Shakespeare’s sonnets.
Their romance clearly has no future: She is the mistress of the elderly Lord Hunsdon; he is a playwright with little cash and a wife in Stratford. Yet for a few rapturous months in 1592, Aemilia Bassano and Will Shakespeare are swept away by a passion (vividly and earthily described by O’Reilly) neither of them will ever know again. When Aemilia becomes pregnant, she makes the pragmatic choice and convinces Hunsdon the baby is his; he arranges her marriage to a complaisant courtier. Will’s anguish turns to hatred when he walks in on the heavily pregnant Aemilia being raped by the dissolute Henry Wriothesley and takes Wriothesley’s word that it’s consensual. Of course he would believe another man, bitterly concludes Aemilia, who throughout the narrative engages readers’ sympathy with her outrage over the way women are kept down and denied a voice. Ten years later, when desperation to cure her plague-stricken son drives Aemilia to practice black magic, it’s utterly appropriate that she summons the demon Lilith, biblical Adam’s rebellious first wife. (The rather lurid supernatural elements are acceptable in the context of the Elizabethan worldview O’Reilly ably recaptures.) In return for her help, Lilith commands Aemilia to write The Tragedie of Ladie Macbeth, a savage affirmation of women’s power that—you guessed it—Aemilia offers to Shakespeare’s partner Richard Burbage, who promptly turns it over to Will to be remade as Macbeth. It’s an insult even worse than the vindictive portrait of her in his sonnets, but Aemilia and Will still love each other, painfully and without hope. O’Reilly brings her star-crossed lovers together and drives them apart through plot twists that are, for once, credible outgrowths of the characters’ personalities and beliefs, finally giving them a tender, heartbreaking parting.
First-rate historical fiction: marvelously atmospheric and emotionally engaging.Pub Date: May 27, 2014
ISBN: 978-1-250-04813-4
Page Count: 448
Publisher: Picador
Review Posted Online: March 28, 2014
Kirkus Reviews Issue: April 15, 2014
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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