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SECOND FIRST IMPRESSIONS

Charming, funny, and heartwarming.

A kindhearted, by-the-book heroine is drawn to a playful, charismatic tattooist.

A preacher’s daughter who was disgraced by making out with her boyfriend on prom night—when said boyfriend went to her father for counseling the next day—25-year-old Ruthie Midona has found refuge as the live-in office manager of the Providence Retirement Villa and creator of a fan forum for a wholesome TV show called Heaven Sent. Just as she’s getting ready to date for the first time since that disastrous prom, other changes threaten her safe routine, including a corporate takeover of the retirement community and the arrival of the new owner's ne’er-do-well son, Teddy Prescott. Though Melanie, the Villa's office temp who's serving as Ruthie's amateur dating coach, judges Teddy as too risky for Ruthie, his disarming behavior undermines Ruthie's pragmatic judgment that he’s a rolling stone. When Teddy needs a place to live and his father lets him move into the Villa if he earns his keep, he becomes the temporary caretaker for two eccentric seniors, and Ruthie glimpses signs of a compassionate character and a skilled artist under his careless facade. Writing from Ruthie’s first-person perspective, Thorne manages to bring all the characters to vivid life, endearing them to the reader through the enumeration of their quirks and fleeting revelations about their pasts. Each scene between the protagonists—whose first meeting will make you laugh and wince simultaneously—is a delight, as is Ruthie’s motley found family. The turning point in Ruthie’s professional and personal arc is unsurprising, but the denouement is joyful in more ways than one.

Charming, funny, and heartwarming.

Pub Date: April 13, 2021

ISBN: 978-0-06-291285-5

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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