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JASMINE AND FIRE

A BITTERSWEET YEAR IN BEIRUT

Recommended for readers of food memoirs and those interested in Lebanon.

A food-focused travel memoir through the streets of Beirut.

Although she fled Beirut as a child during the Lebanese civil war, food writer Abdelnour never forgot the city or the sense of longing she felt to return. Disgruntled by her inability to feel at home in America despite 30 years in the country, the author left her friends, career and love interest in New York City to spend a year in her parents' Beirut apartment. She was determined to reconnect with her roots. Relatives and old friends who remained in the country during the war eased the transition from one city to the other. By taking daily walks through her old neighborhood, the author slowly felt the essence of Beirut sinking into her pores. Detailed street descriptions allow readers to meander with the author as she widens her berth, exploring new sections of the war-ravaged city. Abdelnour places special emphasis on the Lebanese food she ate on her walks or was served at one of the many family gatherings she attended. An expanding social circle of new friends and the ability to write about Lebanon helped her accept her background while maintaining her American identity. Despite the political unrest of the region, Abdelnour found peace in her new surroundings. Having embraced her Lebanese culture fully, the author realized she carried the sense of home inside her and ultimately returned to New York to live, at least for most of the year. Though the book includes recipes, a street map would have been a useful addition.

Recommended for readers of food memoirs and those interested in Lebanon.

Pub Date: June 5, 2012

ISBN: 978-0-307-88594-4

Page Count: 304

Publisher: Broadway

Review Posted Online: April 3, 2012

Kirkus Reviews Issue: April 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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