Shades of Homer Hickham and Pat Conroy appear in this surprising debut from a dad who inspired a Twitter frenzy.

A FAR PIECE TO CANAAN

Country roads lead a grieving grandfather a long way home in this emotional rural gothic by, of all people, one of Twitter’s most popular celebrities.

Debut author Halpern, a retired professor of nuclear medicine, is best known as the humorous crank who inspired son Justin’s infamous twitter feed “Shit My Dad Says,” a book of the same name and a short-lived CBS sitcom. Halpern’s first novel is an affectionate, sometimes frightening and eerily effective drama about coming of age in bluegrass country. Halpern’s protagonist is Samuel Zelinsky, a retired Jewish professor who is in mourning after the death of his wife. At her request, Samuel returns home to face the ghosts of his past. Most of the book is a flashback to Samuel’s childhood with best friend Fred Mulligan and assorted other denizens of this backwoods village. In a long, sometimes elegant story that includes murderous hillbillies, mysterious pools, broken promises and terrible trespasses, Halpern captures life in the postwar South. Sam gains a protector in Ben Begley, a local who saves him from his own stupidity. The elder Samuel often reflects on how these events changed him. “There was something special in Ben and Dad’s way of preparing me to be a man,” he says. “I developed a sense of self that prevailed throughout my life. In some of my darkest moments, their views, taught so long ago, allowed me to persevere, to think my own thoughts and stick to them until I was proven wrong.” The novel captures a unique time, as characters speak in perplexing native vernacular, children carry shotguns, and sins can be washed away by mumbling, “Just foolin’.” A superfluous coda in which Samuel reconnects with an old friend is poignant nonetheless.

Shades of Homer Hickham and Pat Conroy appear in this surprising debut from a dad who inspired a Twitter frenzy.

Pub Date: May 28, 2013

ISBN: 978-0-06-223316-5

Page Count: 368

Publisher: Perennial/HarperCollins

Review Posted Online: March 31, 2013

Kirkus Reviews Issue: April 15, 2013

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Why you double-crossing little double crossers! Fiendishly clever.

PRETTY THINGS

The daughter of a grifter plans to fund her mother’s cancer treatment with a revenge con.

Rich people suck, don’t they? Nina Ross found this out in her adolescence, when her romance with Benny Liebling was broken up by his status-obsessed, old-money father, who found them screwing in the guest cottage of the family’s Lake Tahoe estate. Back then, Nina had a future—but she’s since followed her con-artist mother into the family business with the help of a handsome blue-eyed Irish confederate named Lachlan. “Here’s my rule,” Nina tells him. “Only people who have too much, and only people who deserve it.” Of course, he agrees. “We take only what we need.” With her art history background, Nina is usually able to target a few expensive antiques they can lift without the rich dopes even noticing they’re gone. But now that Nina's mother is hovering at death’s door without health insurance, she’s going after the $1 million in cash Benny mentioned was in his father’s safe all those years ago. So back to Lake Tahoe it is. The older Lieblings are dead, and Benny’s in the bin, so it’s his sister Vanessa Liebling who is the target of the complicated caper. Vanessa is a terribly annoying character—“I couldn’t tell you how I went from a few dozen Instagram followers to a half-million. One day, you’re uploading photos of your dog wearing sunglasses; and the next you’re begin flown to Coachella on a private jet with four other social media It Girls…”—but, in fact, you’ll hate everyone in this book. That is surely Brown’s (Watch Me Disappear, 2017, etc.) intention as she’s the one making them natter on this way. She also makes them vomit much more than is normal, whether it’s because they’re poisoning each other or because they’re just so horrified by each other’s behavior. Definitely stay to see how it all turns out.

Why you double-crossing little double crossers! Fiendishly clever.

Pub Date: April 21, 2020

ISBN: 978-0-525-47912-3

Page Count: 496

Publisher: Random House

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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