A well-researched but critically toothless and ultimately depressing record of epic vulgarity and emotional incontinence.
Vanity Fair and Esquire contributor Kashner and Schoenberger (Creative Writing; William and Mary; Hollywood Kryptonite, the Bulldog, the Lady, and the Death of Superman, 2006, etc.) examine the union of Hollywood actors Richard Burton and Elizabeth Taylor, larger-than-life figures who inspired the fevered fascination of their public and presaged the current age of media obsession with the private lives of celebrities.
Burton and Taylor were no strangers to notoriety before their fated meeting on the notoriously troubled production of their film Cleopatra (1963). When the two married stars brazenly flouted their new romance, a scandal of international proportions was born, prompting a media obsession with the couple that endured for decades. The Burtons gave good value. Their many health crises, career reversals, jet-set milieu, fabled screaming matches, sexual provocations and indulgences in luxury provided ample grist for the gossip mill, creating a virtual cottage industry out of Burton-watching. The authors’ view of the star-crossed thespians is overly sympathetic, detecting poetic depths of tragedy in behaviors that will likely strike the average reader as grotesquely immature, selfish and gratingly repetitive. The Burtons squabbled, made conspicuous love, occasionally made indifferent or outright poor films and spent lavishly on jewels, houses, yachts and oceans of alcohol. The glamour of their lifestyle begins to pall as it becomes evident that the couple was essentially a pair of privileged toddlers, indulging whims and throwing tantrums before a raptly scandalized world audience. The book is really Burton’s story, and the authors provide solid material on his humble upbringing, large, close family and his early incandescent stage career. Also compelling are the many excerpts from Burton’s personal correspondence, revealing an intelligent, articulate man hobbled by maudlin self-loathing and weakness of character. Taylor remains the remote, regal movie star, coddled and indulged since early childhood. Her monstrous sense of entitlement is easy to understand but difficult to stomach. The Burtons made significant contributions to cinema, but this book’s focus on their romance seems misplaced. In the words of Burton’s beloved Shakespeare, their story is merely full of sound and fury, signifying nothing.
A well-researched but critically toothless and ultimately depressing record of epic vulgarity and emotional incontinence.Pub Date: June 1, 2010
ISBN: 978-0-06-156284-6
Page Count: 512
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: April 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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