A well-researched but critically toothless and ultimately depressing record of epic vulgarity and emotional incontinence.
Vanity Fair and Esquire contributor Kashner and Schoenberger (Creative Writing; William and Mary; Hollywood Kryptonite, the Bulldog, the Lady, and the Death of Superman, 2006, etc.) examine the union of Hollywood actors Richard Burton and Elizabeth Taylor, larger-than-life figures who inspired the fevered fascination of their public and presaged the current age of media obsession with the private lives of celebrities.
Burton and Taylor were no strangers to notoriety before their fated meeting on the notoriously troubled production of their film Cleopatra (1963). When the two married stars brazenly flouted their new romance, a scandal of international proportions was born, prompting a media obsession with the couple that endured for decades. The Burtons gave good value. Their many health crises, career reversals, jet-set milieu, fabled screaming matches, sexual provocations and indulgences in luxury provided ample grist for the gossip mill, creating a virtual cottage industry out of Burton-watching. The authors’ view of the star-crossed thespians is overly sympathetic, detecting poetic depths of tragedy in behaviors that will likely strike the average reader as grotesquely immature, selfish and gratingly repetitive. The Burtons squabbled, made conspicuous love, occasionally made indifferent or outright poor films and spent lavishly on jewels, houses, yachts and oceans of alcohol. The glamour of their lifestyle begins to pall as it becomes evident that the couple was essentially a pair of privileged toddlers, indulging whims and throwing tantrums before a raptly scandalized world audience. The book is really Burton’s story, and the authors provide solid material on his humble upbringing, large, close family and his early incandescent stage career. Also compelling are the many excerpts from Burton’s personal correspondence, revealing an intelligent, articulate man hobbled by maudlin self-loathing and weakness of character. Taylor remains the remote, regal movie star, coddled and indulged since early childhood. Her monstrous sense of entitlement is easy to understand but difficult to stomach. The Burtons made significant contributions to cinema, but this book’s focus on their romance seems misplaced. In the words of Burton’s beloved Shakespeare, their story is merely full of sound and fury, signifying nothing.
A well-researched but critically toothless and ultimately depressing record of epic vulgarity and emotional incontinence.Pub Date: June 1, 2010
ISBN: 978-0-06-156284-6
Page Count: 512
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: April 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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