by Sam Savage ‧ RELEASE DATE: Nov. 11, 2014
This is not a novel for anyone who expects time to move in a straightforward fashion or for memories to cohere or for...
First-person fiction in the guise of an impressionistic memoir by an older woman recalling her small-town girlhood.
Many of the paragraphs in Savage's (The Way of the Dog, 2013, etc.) latest are made up of a single sentence, and most of them seem to stand on their own, not necessarily connecting to the previous one or the next, each isolated by white space. It’s as if the paragraphs are snowflakes, each unique, yet creating a cumulative effect through accretion. This is writing about writing, words about words, remembering through the distortions and inventions of memory. Many of the paragraphs, often many in a row, start with the words “I remember….” Others begin with “The time” and are often a series of sentence fragments, such as “The time Edward squeezed my head so hard it hurt.” Edward is one of the narrator’s two brothers, with whom she has lost all contact. Her other brother is Thornton—“And Thornton too without children, so it will end with us, probably.” Next paragraph, with rare continuity: “Which is for the best. I don’t see that we represent anything anymore.” The entirety of the novel takes place within the consciousness of the woman writing at her desk, much as she remembers that her mother once did. The reader senses that the mother went mad and wonders whether this is a reflection of the narrator’s projection: “Writing at the desk I sometimes get the feeling that I am my mother….I have no idea what the sentence I just wrote means.” Almost as an aside, she writes, without any explanation, that “having become thoroughly estranged from my parents by the time they died I am estranged from their ghosts as well.”
This is not a novel for anyone who expects time to move in a straightforward fashion or for memories to cohere or for beginnings and endings to be other than arbitrary.Pub Date: Nov. 11, 2014
ISBN: 978-1-56689-372-5
Page Count: 150
Publisher: Coffee House
Review Posted Online: Oct. 7, 2014
Kirkus Reviews Issue: Oct. 15, 2014
Share your opinion of this book
More by Sam Savage
BOOK REVIEW
by Sam Savage
BOOK REVIEW
by Sam Savage
BOOK REVIEW
by Sam Savage
by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
Awards & Accolades
Likes
12
Our Verdict
GET IT
New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
Share your opinion of this book
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Share your opinion of this book
More by Lisa Jewell
BOOK REVIEW
by Lisa Jewell
BOOK REVIEW
by Lisa Jewell
BOOK REVIEW
by Lisa Jewell
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.