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WHITTAKER CHAMBERS

A BIOGRAPHY

A sympathetic full-length portrait of a man best known for making Alger Hiss and Richard Nixon famous. In 1948, Whittaker Chambers was a self-confessed spy for the Soviet Union turned rabid anti-Communist. Called to testify before the House Un-American Activities Committee, he named names, leading two years later to the sensational perjury conviction of Hiss, an esteemed diplomat. Hiss died last month, still protesting his innocence, and with his defenders and detractors still accusing Chambers of perfidy or defending him as a hero of the Cold War. For all the rich nuances of this biography, freelance journalist Tanenhaus belongs to the latter camp, matter-of-factly declaring Hiss guilty in a footnote early in this chronicle. Tanenhaus depicts Chambers as a deeply flawed but brilliant and tragic figure, who proved to be a more steadfast idealist than most of the people around him—including Senator Joseph McCarthy and young congressman Nixon, both of whom shamelessly exploited the Hiss case to advance their careers. Tanenhaus seeks the logic in Chambers's odyssey from accomplice to accuser, from his troubled home on Long Island to his star turns in the Communist Party, at Time magazine, on the witness stand, and, finally, as a guru in the 1950s to the then-fledgling neoconservative movement. To Tanenhaus, the ironic- -but still logical—denouement to Chambers's life was his 1959 resignation from the staff of William F. Buckley's National Review, in disagreement over the magazine's hard-line stance against Soviet Premier Nikita Khrushchev. Tanenhaus writes well and sometimes brilliantly in arguing that Chambers was far more than a supporting actor to McCarthyism and the Cold War. However, the author introduces no new evidence likely to change minds and, by attempting to put Chambers on a pedestal, has inevitably exposed himself and his subject as targets. Expect this book to stoke fires already burning for nearly half a century. (16 pages b&w photos, not seen) (History Book Club selection)

Pub Date: Feb. 1, 1997

ISBN: 0-394-58559-3

Page Count: 640

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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