Toperoff locates the private passions in an intense, public and ultimately tragic love story without indulging in glitz or...
A canny exploration of the long affair between writers Dashiell Hammett (1894-1961) and Lillian Hellman (1905-1984), which endured alcoholism, war and McCarthyism.
Toperoff’s earlier novels strived to drill into the psyches of Marilyn Monroe (Queen of Desire, 1992) and James Dean (Jimmy Dean Prepares, 1997), and the lives of Hammett and Hellman give him similarly rich fodder. When they met, Hammett had left behind family to pursue a career as a screenwriter, and Hellman was a rising playwright in a perfunctory marriage. The early chapters stumble as Toperoff strains to establish their individual backgrounds and voices, as if the novel will be an awkward oral history, but the tone soon settles, and the focus turns squarely on their affection for each other. The two were on different career trajectories when they met: Hammett’s best work, like The Maltese Falcon, was behind him, while Hellman would gain celebrity with her 1934 play The Children’s Hour. And they were separated often, as Hellman covered the Spanish Civil War and Hammett drank heavily and tinkered with scripts. Yet the two completed each other both romantically and editorially, and Toperoff captures the writers' interior anxieties well, as Hammett struggled with stark minimalist autobiographical sketches and Hellman absorbed brickbats from her critics. (Some of the book's sweetest scenes feature their back and forths over their latest writing projects.) The need to become each other’s cheerleader becomes more pronounced in the later chapters, as the House Un-American Activities Committee comes after both of them; Hellman’s petty harassment at the hands of U.S. and British authorities, and the ballooning sense of injustice that ensues, is particularly well-turned. Toperoff credits numerous biographies and collected letters, but the novel never feels like a studiously researched museum piece.
Toperoff locates the private passions in an intense, public and ultimately tragic love story without indulging in glitz or melodrama.Pub Date: July 16, 2013
ISBN: 978-1-59051-568-6
Page Count: 400
Publisher: Other Press
Review Posted Online: May 18, 2013
Kirkus Reviews Issue: June 1, 2013
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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