It follows, perhaps, that the best picture books are those, like this, that beg to be shared, as well.

STORM

Fun for a boy and his grandfather blows in on the winds of a brewing storm.

The fourth in this series of picture books about a boy and his grandfather (Sun, 2018, etc.) once again finds them outside enjoying nature, inspired this time to fly a kite in the blustery wind. Before they head outdoors, they must search the house to find a kite, however. In their searching they come across several things that remind them of prior adventures. This trip down Memory Lane establishes a foundation for their fun flying the kite, which gently tips the story into the realm of fantasy when they and other kite-fliers are lifted into a sky filled with kites of varied colors, patterns, and forms. “We swooped and flew. But then I let go!” exclaims the young narrator at the story’s climax. Luckily, Granddad saves the kite, and then they sail back home on the wind before the storm descends. Throughout, Usher’s watercolor-and-ink illustrations adopt a style similar to Quentin Blake’s, and his shifting use of color, light, and shadow evokes excitement, peril, and finally the safety and security of the kitchen with the storm raging outside. It’s a gentle home-away-home story tied up with a cozy message delivered by Granddad at the end: “The best adventure is an adventure shared.” Both characters present white.

It follows, perhaps, that the best picture books are those, like this, that beg to be shared, as well. (Picture book. 3-7)

Pub Date: Sept. 4, 2018

ISBN: 978-1-5362-0282-3

Page Count: 40

Publisher: Templar/Candlewick

Review Posted Online: June 25, 2018

Kirkus Reviews Issue: July 15, 2018

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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This celebration of cross-generational bonding is a textual and artistic tour de force.

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LAST STOP ON MARKET STREET

A young boy yearns for what he doesn’t have, but his nana teaches him to find beauty in what he has and can give, as well as in the city where they live.

CJ doesn’t want to wait in the rain or take the bus or go places after church. But through Nana’s playful imagination and gentle leadership, he begins to see each moment as an opportunity: Trees drink raindrops from straws; the bus breathes fire; and each person has a story to tell. On the bus, Nana inspires an impromptu concert, and CJ’s lifted into a daydream of colors and light, moon and magic. Later, when walking past broken streetlamps on the way to the soup kitchen, CJ notices a rainbow and thinks of his nana’s special gift to see “beautiful where he never even thought to look.” Through de la Peña’s brilliant text, readers can hear, feel and taste the city: its grit and beauty, its quiet moments of connectedness. Robinson’s exceptional artwork works with it to ensure that readers will fully understand CJ’s journey toward appreciation of the vibrant, fascinating fabric of the city. Loosely defined patterns and gestures offer an immediate and raw quality to the Sasek-like illustrations. Painted in a warm palette, this diverse urban neighborhood is imbued with interest and possibility.

This celebration of cross-generational bonding is a textual and artistic tour de force. (Picture book. 3-6)

Pub Date: Jan. 8, 2015

ISBN: 978-0-399-25774-2

Page Count: 32

Publisher: Putnam

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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