An entertaining book, recommended for aspiring comedians who want to historicize their practice.
An uncensored look at how and why improvisation came to be such a significant art form.
In his latest book, Wasson (Fosse, 2014, etc.) presents a refreshing look at the ways in which comedians, artists, writers, and actors started getting involved in improvisation. Today, we often take it for granted, with comedians active in popular culture—especially in the Trump era—distilling complicated political phenomena into palpable and often hilarious stories. Divided into three sections—“We the Jews (1940-1968),” “We the Punks (1969-1984),” and “We the Nerds (1984-)”—the book covers the necessary material, including the public’s growing obsession with TV as the primary artistic medium. More importantly, Wasson takes readers on a journey through a genre that “was invented, in America, by young, mostly middle-class amateurs, performers, and producers who, in the true spirit of the form, were making it up as they went along.” We meet all the key players, including the inimitable Del Close, the notorious screenwriter and actress Elaine May and her relentless partner Mike Nichols, Saturday Night Live creator Lorne Michaels, Second City Television director Andrew Alexander, Tina Fey, and many others. This massive cast of characters spans decades, but they shared the same values: “players understood that no improvisational ensemble could sustain an atmosphere of competition…creating spontaneous realities en masse demanded…patience and consideration.” Wasson has a clear understanding of the challenges many of these comedians faced—particularly the Second City group, who, in part, worked with actors such as Dustin Hoffman and competed with the scripted protocol of big movie studios in introducing a new kind of stage presence: “you had to stay funny, which was difficult when everyone around you, riff after spectacular riff, was actually getting funnier.” While comedians today take up a large space in public life, Wasson reminds us that a lot of hard work has been done for them to get there.
An entertaining book, recommended for aspiring comedians who want to historicize their practice.Pub Date: Dec. 5, 2017
ISBN: 978-0-544-55720-8
Page Count: 464
Publisher: Eamon Dolan/Houghton Mifflin Harcourt
Review Posted Online: Sept. 16, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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