A strained tale that may only satisfy diehard polo enthusiasts.

READ REVIEW

UNBRIDLED

Witnessing a suicide prompts three friends to reevaluate their lives in Elphick’s tale of drive and discovery amid the celebrated world of polo.

Jessica Peters, a 48-year-old flamboyant beauty and onetime polo star, has just jumped off the roof of an eight-story chapel in Claremont, Calif. Burton, Mike and Danny are skateboarding in the church parking lot when they hear the ominous thump. Jessica’s suicide provokes 22-year-old Burton to investigate the familiar woman’s background since he, too, had attempted his own hanging after his father suddenly abandoned him and his mother. The angry, short-fused youngster propels himself into Jessica’s world of high-stakes polo and determines to write a book about the starlet’s fame and downfall. But polo thrusts a spell upon him, and he forfeits everything in favor of the sport. Mike and Danny jump on the life-change bandwagon as well, which leads Danny to a career in firefighting and Mike to live his dream of surfing the waves of Australia. While Elphick ekes out a few treats and surprises, the forced prose and implausible relationships—Burton falls in love instantly with an array of girls, including the dead woman—prevent suspension of disbelief. Contrived dialogue, clichés and intrusive italicized side-thoughts further ruin the experience. The things that do work are Elphick’s surprisingly moving denouement, and some anticipative plot threads, such as uncovering the secret Burton’s father, Reid, has been harboring for many years. The heart of the story surrounds Burton, including his tumultuous relationship with Reid, where each is prone to sudden unnatural outbursts in the course of gentle exchanges, and Burton’s disturbing oedipal obsession with his mother. Polo fans might find more favor, as Elphick based the story on Deborah Couples, the real-life polo champ, who succumbed to depression following her public divorce from her golf pro husband, Fred Couples.

A strained tale that may only satisfy diehard polo enthusiasts.

Pub Date: Jan. 26, 2007

ISBN: 978-1425984120

Page Count: 497

Publisher: AuthorHouse

Review Posted Online: Jan. 31, 2012

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An absorbing, wide-ranging story of humans’ relationship with the water.

WHY WE SWIM

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 5, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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A vivid sequel that strains credulity.

THE ESCAPE ARTIST

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 21, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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