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WOW, NO THANK YOU.

ESSAYS

There’s lots to chuckle at here, as Irby remains a winning, personality-driven, self-deprecating essayist.

More humorous life reflections from a seasoned raconteur.

In this third volume of essays (this one “dedicated to Wellbutrin”), outspoken blogger and essayist Irby offers opinions and reactions to many of life’s more uncomfortable and inconvenient episodes. Among countless other topics, the author discusses her confusion about health bloggers’ obsessions with “adaptogens and other beneficial herbs,” her “hostile, elusive, disrespectful” menstrual cycle, and her body. “I have been stuck with a smelly, actively decaying body that I never asked for,” she writes, “and am constantly on the receiving end of confusing, overwhelming messages for how to properly care for and feed it.” A linear timeline chronicling Irby’s attempt at partying while “staring middle age right in its sensible orthopedic inserts” is particularly hilarious and relatable for readers of a certain age. Even when the author describes pitching show concepts to Netflix or battling Crohn’s disease, her one-liners and comic timing remain intact. A lot of the best anecdotal material springs forth from the more embarrassing and cringeworthy moments of the author’s life. She envies those who can go out on the town and not become hindered with bathroom issues or people who effortlessly manage a household. Regarding children, she writes, “I jump away from children the way most people jump away from a hot stove—though she doesn’t “dislike them.” Some of the material in this latest collection has been covered in her previous two books, but Irby’s devotees won’t mind because her personal hyperawareness, brazen attitude, and raunchy sense of humor are in fine form, even when the writing is haphazard and frenetic. Ultimately, though, the author manages to shake things up and keep most of her observances fresh and funny, and she also incorporates more details of life with her wife.

There’s lots to chuckle at here, as Irby remains a winning, personality-driven, self-deprecating essayist.

Pub Date: March 31, 2020

ISBN: 978-0-525-56348-8

Page Count: 336

Publisher: Vintage

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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