Yes, the world does need another Beatles book, especially this one.
Another pocket pal from the BFI Film Classics series.
For all the ways that writers have anatomized the 1964 Beatles film A Hard Day’s Night, no one has approached it like Ahmed. An English broadcaster and the daughter of South Asian immigrants, she fell for the Beatles in 1979 at age 11 while watching videos of the band’s films. She views A Hard Day’s Night with an outsider’s eyes, concluding from a scene in which she identifies several non-white Beatles concertgoers that “Britain, for all its complicated social tensions, is captured in this film as having a multiracial reality.” This dovetails with a prevailing, persuasive contention of Ahmed’s: Unlike other British films of its time, A Hard Day’s Night manages not to seem old-fashioned when watched today. The author devotes the book’s first half to unpacking the movie’s plot (thumbnail: The Beatles commute by train from Liverpool to London, so they can perform on a TV show); the book’s latter half comprises chapters dedicated to, among other topics, and most illuminatingly, the film’s women. As Ahmed observes, they’re not just the screamers of the opening scene’s train-station chase: Female characters have jobs that keep Beatles business humming. Ahmed submits that “the film, while always making clear that the Beatles are lively young heterosexual men, never relies—in their encounters with females—on promoting the kind of stereotype that has dated so many British social realist films of its time.” Director Richard Lester’s other, like-minded choices (such as to ditch a scene from the script that contained what Ahmed calls “questionable racial humour”) reflect an aversion to mean-spiritedness, which may well be the key to why A Hard Day’s Night remains such a pleasure, as is this incisive, nimble title.
Yes, the world does need another Beatles book, especially this one.Pub Date: June 11, 2026
ISBN: 9781839029394
Page Count: 128
Publisher: Bloomsbury Academic
Review Posted Online: May 18, 2026
Kirkus Reviews Issue: June 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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