Succeeds in demystifying the world of large-scale urban contracting, but will probably have more emotional resonance for...

GOOD GUYS, WISEGUYS, AND PUTTING UP BUILDINGS

A LIFE IN CONSTRUCTION

A valedictory account of a life spent in large-building construction in New York City.

In addition to his duties as chairman of Kreisler Borg Florman General Construction Company, Florman (The Aftermath: A Novel of Survival, 2001, etc.) has authored six books and more than 250 articles. Here he combines memoir with an account of the hazards, complexities and joys of his trade. The resulting synthesis is somewhat unwieldy, although Florman’s style is accessible and wry. The author writes that despite the litany of grief associated with the trade, ranging from violent mobsters to risks on the job site, “I look back on this career with relish…because of the challenges met, the rousing adventures encountered.” It seemed an improbable occupation for a bookish Jewish boy in Depression-era New York, but wartime service in the Seabees opened up a fascinating industrial world to him: “Such [broad] experience can’t be bought in engineering school.” After the war, he worked his way up in the trade, first as an estimator, then a project manager; feeling frustrated, he joined a general contracting start-up in 1956, and soon bought in as a partner. KBF went on to have both success and good fortune, moving from school construction in the 1950s into large-scale urban and government projects. Despite Florman’s keen discussions of the complex minutiae of construction firms’ actual operation, his approach is mostly sentimental, with a lot of focus on the characters he’s known (especially at his own firm). The book is organized to highlight certain themes relevant to the industry’s development through the 20th century. Readers may wish the author had dug deeper into his juiciest subtopics, including the legendary corruption of building inspectors, the true degree of Mafia penetration in the industry, the still-contested role of women and the violent struggles for affirmative action on job sites.

Succeeds in demystifying the world of large-scale urban contracting, but will probably have more emotional resonance for older readers, in and out of the field.

Pub Date: March 13, 2012

ISBN: 978-0-312-64167-2

Page Count: 352

Publisher: Dunne/St. Martin's

Review Posted Online: Jan. 30, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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