THE INHERITANCE

HOW THREE FAMILIES AND AMERICA MOVED FROM ROOSEVELT TO REAGAN AND BEYOND

An intimate look at three generations of three white, ethnic Catholic families, and their eventual transformation from Democrats to Republicans, from a highly regarded former New York Times reporter. Working backwards from three Republican party activists—Tim Carey, Leslie Maeby, and Frank Trotta—Freedman (Upon this Rock, 1992; Small Victories, 1990) deconstructs their family trees to explain their third-generation mutation away from Depression-era, New Deal Democratic roots. He offers richly detailed portraits of dirt-poor, working-class immigrant patriarchs and matriarchs, their children and grandchildren, and many of the people among whom they live and lived. Freedman presents these families as paradigms of America's shift to the right; he writes that this ``historic realignment depended extensively, even disproportionately, on families like those of Tim Carey, Leslie Maeby, and Frank Trotta- -Catholics with Democratic pasts.'' Freedman offers no simple explanations for this realignment. Some family members shifted allegiance from Democratic machines to Republican ones in their move from the city to the suburbs; others resented the welfare system and minority demands, comparing them unfavorably to their own by-the-bootstraps experiences. And some—including the three contemporary subjects—turned to conservatism as idealists, in opposition to the perceived failures of liberalism, especially as it affects their class and kind. Freedman deserves credit for not attempting simplistic explanations for this rightward realignment. At the same time, however, he lets the wealth of information he accumulated in his research get away from him, telling us more than we need to know about the inner workings of Montgomery Ward (in connection with the Maeby family) or the tactics employed by Maeby and Carey in recent election campaigns. A book of great value as a manual to Democratic and Republican operatives, and of great interest, as autobiograpy, to the Republican descendants of ethnic New Deal Democrats. A hundred pages shorter, it would appeal to an even broader audience.

Pub Date: Sept. 1, 1996

ISBN: 0-684-81116-2

Page Count: 464

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 1996

Did you like this book?

No Comments Yet

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

No Comments Yet

Never especially challenging or provocative but pleasant enough light reading.

THE WAY I HEARD IT

Former Dirty Jobs star Rowe serves up a few dozen brief human-interest stories.

Building on his popular podcast, the author “tells some true stories you probably don’t know, about some famous people you probably do.” Some of those stories, he allows, have been subject to correction, just as on his TV show he was “corrected on windmills and oil derricks, coal mines and construction sites, frack tanks, pig farms, slime lines, and lumber mills.” Still, it’s clear that he takes pains to get things right even if he’s not above a few too-obvious groaners, writing about erections (of skyscrapers, that is, and, less elegantly, of pigs) here and Joan Rivers (“the Bonnie Parker of comedy”) there, working the likes of Bob Dylan, William Randolph Hearst, and John Wayne into the discourse. The most charming pieces play on Rowe’s own foibles. In one, he writes of having taken a soft job as a “caretaker”—in quotes—of a country estate with few clear lines of responsibility save, as he reveals, humoring the resident ghost. As the author notes on his website, being a TV host gave him great skills in “talking for long periods without saying anything of substance,” and some of his stories are more filler than compelling narrative. In others, though, he digs deeper, as when he writes of Jason Everman, a rock guitarist who walked away from two spectacularly successful bands (Nirvana and Soundgarden) in order to serve as a special forces operative: “If you thought that Pete Best blew his chance with the Beatles, consider this: the first band Jason bungled sold 30 million records in a single year.” Speaking of rock stars, Rowe does a good job with the oft-repeated matter of Charlie Manson’s brief career as a songwriter: “No one can say if having his song stolen by the Beach Boys pushed Charlie over the edge,” writes the author, but it can’t have helped.

Never especially challenging or provocative but pleasant enough light reading.

Pub Date: Oct. 15, 2019

ISBN: 978-1-982130-85-5

Page Count: 224

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

Did you like this book?

No Comments Yet
more