by Samuel H. Beer ‧ RELEASE DATE: Feb. 1, 1993
Harvard government professor Beer traces the evolution of American federalism and, with scholary zeal, reilluminates the eternal state-vs.-central-government debate. The Constitution, according to Beer, ``displays much blank space,'' and, to understand it, it's necessary to look at the tradition behind it. Beer has a threefold aim here: to trace the intellectual evolution that sought to sweep away the ``dark ribaldry of hereditary, indefeasible right,'' in John Adams's phrase; to look at American federalism in light of the ideas behind the failed English Commonwealth of the 17th century; and to examine federalist ideas in terms of the challenges to them over the past two centuries. Beer offers lengthy discussions of the usual suspects, from Madison, whose Federalist Papers are a cohesive statement of the philosophy he favored, to Montesquieu, who felt that popular government was unworkable in a diverse and fragmented country. But the author also enlists Milton, whose Areopagitica championed free speech and who envisioned a government by discussion rather than by fiat, and little-known writers such as James Harrington and James Wilson. The author is an expert on English politics, and his sections on such thinkers as Harrington, whose vision of federalism was a precursor to the American version in that he argued that government derives authority from the will of the people, are especially good. And Beer's discussion of the debate over federalism in this country is a valuable summation of a seemingly almost medieval doctrinal wrangle. Beer's fresh approach sometimes grades into obscurity, but, still, this is an erudite and forceful work, packed with the scholarship of a lifetime.
Pub Date: Feb. 1, 1993
ISBN: 0-674-60212-9
Page Count: 496
Publisher: Harvard Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1992
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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