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ALTAR OF RESISTANCE

From the World War Two Trilogy series , Vol. 2

A gripping and densely packed thriller dramatizing the Allied Italian campaign.

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A sprawling historical novel examines the occupation and liberation of Rome during World War II.

This second book in Marquis’ (Bodyguard of Deception, 2016, etc.) trilogy focusing on some of the major events of World War II concentrates on the Nazi occupation of Rome from 1943 to 1944 and the liberation of the Eternal City by the Allies in June 1944. Like its predecessor, the work creates a broad-canvas narrative by weaving together a handful of separate storylines, in this case chiefly those of an American soldier, an Italian freedom fighter, a German colonel, and the pope himself. The pontiff in question is that controversial, so-called “Hitler’s pope” Pius XII, here portrayed with refreshing complexity as a man of fluid principles caught between an array of much stronger forces (“the thought of taking Hitler” publicly to task “in a high-stakes manner made him feel older than his sixty-six years”). U.S. Special Services operative John Bridger is a fairly standard-issue action hero whom Marquis nonetheless manages to imbue with some nuance, and the author is likewise successful in giving Italian Resistance fighter Teresa Di Domenico more personality than her central-casting role necessarily warrants. But the book’s standout character is SS Col. Wilhelm Hollmann, “the furthest thing from a rabid Nazi.” The shrewdly drawn portrait depicts a complicated German whose patriotism clashes frequently with his duties. Hollmann, who feels “no animosity whatsoever towards the Jews,” lambastes a Gestapo chief for extorting gold from Rome’s Jewish community (“Despite the fact that they paid your fiendish ransom, the Jews are still going to be sent off to their deaths”). Marquis brings these main characters and a host of minor ones together in a propulsive, fast-paced story that ranges from the battlefields in the struggle to wrest Rome from Nazi forces to the delicate, behind-the-scenes maneuverings conducted by the pope to placate the Germans long enough to give Vatican-sponsored efforts to unseat Hitler a chance to come to fruition. Marquis has a deft ear for dialogue and a very skillful hand at pacing, particularly when narrating military action sequences. The panoramic impression of his multiple character arcs is reminiscent of Herman Wouk’s The Winds of War in the way they put human faces on the era’s history.

A gripping and densely packed thriller dramatizing the Allied Italian campaign. 

Pub Date: Jan. 20, 2017

ISBN: 978-1-943593-03-3

Page Count: 368

Publisher: Mount Sopris Publishing

Review Posted Online: Feb. 9, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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