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ALTAR OF RESISTANCE

From the World War Two Trilogy series , Vol. 2

A gripping and densely packed thriller dramatizing the Allied Italian campaign.

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A sprawling historical novel examines the occupation and liberation of Rome during World War II.

This second book in Marquis’ (Bodyguard of Deception, 2016, etc.) trilogy focusing on some of the major events of World War II concentrates on the Nazi occupation of Rome from 1943 to 1944 and the liberation of the Eternal City by the Allies in June 1944. Like its predecessor, the work creates a broad-canvas narrative by weaving together a handful of separate storylines, in this case chiefly those of an American soldier, an Italian freedom fighter, a German colonel, and the pope himself. The pontiff in question is that controversial, so-called “Hitler’s pope” Pius XII, here portrayed with refreshing complexity as a man of fluid principles caught between an array of much stronger forces (“the thought of taking Hitler” publicly to task “in a high-stakes manner made him feel older than his sixty-six years”). U.S. Special Services operative John Bridger is a fairly standard-issue action hero whom Marquis nonetheless manages to imbue with some nuance, and the author is likewise successful in giving Italian Resistance fighter Teresa Di Domenico more personality than her central-casting role necessarily warrants. But the book’s standout character is SS Col. Wilhelm Hollmann, “the furthest thing from a rabid Nazi.” The shrewdly drawn portrait depicts a complicated German whose patriotism clashes frequently with his duties. Hollmann, who feels “no animosity whatsoever towards the Jews,” lambastes a Gestapo chief for extorting gold from Rome’s Jewish community (“Despite the fact that they paid your fiendish ransom, the Jews are still going to be sent off to their deaths”). Marquis brings these main characters and a host of minor ones together in a propulsive, fast-paced story that ranges from the battlefields in the struggle to wrest Rome from Nazi forces to the delicate, behind-the-scenes maneuverings conducted by the pope to placate the Germans long enough to give Vatican-sponsored efforts to unseat Hitler a chance to come to fruition. Marquis has a deft ear for dialogue and a very skillful hand at pacing, particularly when narrating military action sequences. The panoramic impression of his multiple character arcs is reminiscent of Herman Wouk’s The Winds of War in the way they put human faces on the era’s history.

A gripping and densely packed thriller dramatizing the Allied Italian campaign. 

Pub Date: Jan. 20, 2017

ISBN: 978-1-943593-03-3

Page Count: 368

Publisher: Mount Sopris Publishing

Review Posted Online: Feb. 9, 2017

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MISERY

Fans weary of King's recent unwieldy tomes can rest easy: his newest is slim, slick, and razor-keen. His first novel without supernatural elements outside of the Richard Bachman series, this psychological terror tale laced with pitch-black humor tells the nerve-jangling story of a best-selling author kidnapped and tortured by his "number one fan." King opens on a disorienting note as writer Paul Sheldon drifts awake to find himself in bed, his legs shattered. A beefy woman, 40-ish Annie Wilkes, appears and feeds him barbiturates. During the hazy next week, Paul learns that Annie, an ex-nurse, carried him from a car wreck to her isolated house, where she plans to keep him indefinitely. She's a spiteful misanthrope subject to catatonic fits, but worships Paul because he writes her favorite books, historical novels featuring the heroine "Misery." As Annie pumps him with drugs and reads the script of his latest novel, also saved from the wreck, Paul waits with growing apprehension—he killed off Misery in this new one. tn time, Annie rushes into the room, howling: she demands that Paul write a new novel resurrecting Misery just for her. He refuses until she threatens to withhold his drugs; so he begins the book (tantalizing chunks of which King seeds throughout this novel). Days later, when Annie goes to town, Paul, who's now in a wheelchair, escapes his locked room and finds a scrapbook with clippings of Annie's hobby: she's a mass-murderer. Up to here, King has gleefully slathered on the tension: now he slams on the shocks as Annie returns swinging an axe and chops off Paul's foot. Soon after, off comes his thumb; when a cop looking for Paul shows up, Annie lawnmowers his head. Burning for revenge, Paul finishes his novel, only to use the manuscript as a weapon against his captor in the ironic, ferocious climax. Although lacking the psychological richness of his best work, this nasty shard of a novel with its weird autobiographical implications probably will thrill and chill King's legion of fans. Note: the publisher plans an unprecedented first printing of one-million copies.

Pub Date: June 8, 1987

ISBN: 0451169522

Page Count: 356

Publisher: Viking

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: May 15, 1987

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KING MIDAS AND THE GOLDEN TOUCH

PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)

Pub Date: April 1, 1999

ISBN: 0-688-13165-4

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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