An engrossing and historically grounded yarn.
Marquis’ (The Fourth Pularchek, 2017, etc.) historical novel, based on a true story, aims to rehabilitate the pirate Blackbeard, delivering a wealth of information about his era and place in history.
Edward Thache Jr., better known as the notorious, larger-than-life “Blackbeard,” was a British naval officer–turned–privateer and pirate. He and his fellow pirates, ardent Jacobites, hated the German interloper, George I, and the whole British establishment. Contrary to government propaganda of the day, Blackbeard was quite civilized—although, by design, he cultivated a very fearsome mien. This tale, beginning in 1715, shows how he preferred to simply approach a ship and terrify its captain and crew into surrendering; remarkably, this almost always worked. Meanwhile, Blackbeard’s nemesis, the odious Alexander Spotswood, lieutenant governor of Virginia, was determined to put an end to the pirate by whatever means. The protagonist’s beautiful love interest, Margaret of Marcus Hook, is a key element in the story, and other real-life historical characters in this densely populated book include Caesar, a slave that Blackbeard rescued and made his right-hand man; Stede Bonnet, successful Barbados planter–turned–hapless freebooter; and Black Sam Bellamy, a young hothead who saw pirates like himself as Robin Hood figures. Marquis writes quite well, but his real contribution with this book is historical, as the age of piracy was remarkably short, and Blackbeard’s turn on the stage was only two years: 1715 to 1717. The book’s subtitle, The Birth of America, is intriguing, and Marquis shows it to be more apt than one might suppose. A pirate ship, as he portrays it here, was a true democracy in many ways. He also shows how the colonists, many of whom had been born in the New World, had begun to identify themselves as American, not British; they were very ambivalent about the pirates, whom many saw as heroic figures. Overall, this is a thoroughly researched book that finely draws the pirate life; one can almost smell the bilge and salt air and taste the rum.
An engrossing and historically grounded yarn.Pub Date: Feb. 6, 2018
ISBN: 978-1-943593-21-7
Page Count: 384
Publisher: Mount Sopris Publishing
Review Posted Online: April 17, 2018
Kirkus Reviews Issue: May 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A super-exorcism that leaves the taste of somebody else's blood in your mouth and what a bad taste it is. King presents us with the riddle of a small Maine town that has been deserted overnight. Where did all the down-Easters go? Matter of fact, they're still there but they only get up at sundown. . . for a warm drink. . . .Ben Mears, a novelist, returns to Salem's Lot (pop. 1319), the hometown he hasn't seen since he was four years old, where he falls for a young painter who admires his books (what happens to her shouldn't happen to a Martian). Odd things are manifested. Someone rents the ghastly old Marsten mansion, closed since a horrible double murder-suicide in 1939; a dog is found impaled on a spiked fence; a healthy boy dies of anemia in one week and his brother vanishes. Ben displays tremendous calm considering that you're left to face a corpse that sits up after an autopsy and sinks its fangs into the coroner's neck. . . . Vampirism, necrophilia, et dreadful alia rather overplayed by the author of Carrie (1974).
Pub Date: Oct. 17, 1975
ISBN: 0385007515
Page Count: 458
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Oct. 1, 1975
PERSPECTIVES
BOOK TO SCREEN
BOOK TO SCREEN
This novel began as a reworking of W.W. Jacobs' horror classic "The Monkey's Paw"—a short story about the dreadful outcome when a father wishes for his dead son's resurrection. And King's 400-page version reads, in fact, like a monstrously padded short story, moving so slowly that every plot-turn becomes lumberingly predictable. Still, readers with a taste for the morbid and ghoulish will find unlimited dark, mortality-obsessed atmosphere here—as Dr. Louis Creed arrives in Maine with wife Rachel and their two little kids Ellie and Gage, moving into a semi-rural house not far from the "Pet Sematary": a spot in the woods where local kids have been burying their pets for decades. Louis, 35, finds a great new friend/father-figure in elderly neighbor Jud Crandall; he begins work as director of the local university health-services. But Louis is oppressed by thoughts of death—especially after a dying student whispers something about the pet cemetery, then reappears in a dream (but is it a dream) to lead Louis into those woods during the middle of the night. What is the secret of the Pet Sematary? Well, eventually old Jud gives Louis a lecture/tour of the Pet Sematary's "annex"—an old Micmac burying ground where pets have been buried. . .and then reappeared alive! So, when little Ellie's beloved cat Church is run over (while Ellie's visiting grandfolks), Louis and Jud bury it in the annex—resulting in a faintly nasty resurrection: Church reappears, now with a foul smell and a creepy demeanor. But: what would happen if a human corpse were buried there? That's the question when Louis' little son Gage is promptly killed in an accident. Will grieving father Louis dig up his son's body from the normal graveyard and replant it in the Pet Sematary? What about the stories of a previous similar attempt—when dead Timmy Baterman was "transformed into some sort of all-knowing daemon?" Will Gage return to the living—but as "a thing of evil?" He will indeed, spouting obscenities and committing murder. . .before Louis must eliminate this child-demon he has unleashed. Filled out with overdone family melodrama (the feud between Louis and his father-in-law) and repetitious inner monologues: a broody horror tale that's strong on dark, depressing chills, weak on suspense or surprise—and not likely to please the fans of King's zestier, livelier terror-thons.
Pub Date: Nov. 4, 1983
ISBN: 0743412281
Page Count: 420
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Nov. 1, 1983
BOOK TO SCREEN
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