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The Coalition

An entertaining thriller about a ruthless political assassination.

An FBI agent and an intrepid reporter uncover a vast right-wing conspiracy to gain control of the U.S. government.

Marquis (Blind Thrust, 2015, etc.) uses the perspectives of multiple characters to narrate a contemporary political thriller. As the novel opens, a female assassin known by her code name, Skyler, pulls off the ultimate coup: she shoots and kills the U.S. president-elect. Though she is bankrolled by an ultra-right-wing Christian organization called American Patriots (AMP) and its charismatic leader, Benjamin Locke, Skyler herself acts only out of self-interest—and a hatred of men, because she was abused by them for most of her life. But when she loses her heart, she must decide whether she’s willing to continue playing the game. Meanwhile, as AMP seeks to convince the new president, Republican Katherine Fowler, to carry out its own agenda now that she’s in the White House, FBI agent Ken Patton tries to solve the assassination case. When he runs into old flame Jennifer Odden, a journalist who is working undercover at AMP, the two decide to team up to figure out who is behind the killing and how far up the conspiracy goes. Soon, they find themselves targets as they race to bring the murderers to justice and stop them from killing again. Marquis has woven a tight plot with genuine suspense. At 495 pages, the book is a little on the long side. But the author for the most part propels the story forward as the protagonists work to uncover the truth. Skyler, a sexy but damaged female killer, reads a bit more like a male fantasy than a three-dimensional woman; she has too many lines like “there was no room left in her heart for love,” and her arc is the most predictable. Still, all the characters hold the reader’s attention as they dive further into danger. Marquis’ storytelling hits close to the zeitgeist—too close, in the case of his description of a shooting at a Planned Parenthood clinic in Colorado. Here’s hoping the rest of these plotlines stay confined to the page.

An entertaining thriller about a ruthless political assassination.

Pub Date: Jan. 4, 2016

ISBN: 978-1-943593-08-8

Page Count: 432

Publisher: Mount Sopris Publishing

Review Posted Online: Jan. 28, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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