Not the most simpatico protagonist, but continuous mishaps make for a gloriously absurd tale.
A recently unemployed and terminally ill man’s scheme to make millions growing saffron inadvertently sparks an international incident in Muggington’s (Pomroy’s World: Alone, 2015, etc.) droll comedy.
The same day Borden Duffield loses his Wall Street job, his doctor tells him that he has pancreatic cancer and, at best, a year to live. Wife Helen’s new gig walking dogs won’t pay the mortgage, but Borden gets no response from the hundreds of job applications he’s sent out. When he learns saffron is the world’s most expensive spice, Borden and neighbor/best friend Hill Buckley head to Pennsylvania’s Amish Country for pointers on farming it. He figures if he can make a profitable saffron business, he’ll secure Helen’s future. The Amish trip doesn’t go well, so Borden books a flight to Iran, top producer of saffron. His decision to hide his plan from Helen, however, leads to a misunderstanding (of sorts), and Helen reports her husband kidnapped. By the time Borden returns to the U.S., any saffron-relevant info he’s picked up takes a back seat to the media hounding his door. Things only get more confusing from here once the kidnapping ordeal drags a U.S. government agent, a CIA spy, and Satoshi Nakamoto, the mysterious inventor of the bitcoin, into the Duffields’ lives. Muggington’s novel is chiefly a series of misadventures, amusing scenes involving an inebriated Borden and Hill causing problems, including a kitchen fire. Borden can be boorish at times—he’s unemployed but fully expects Helen to handle the cooking and then complains, even if just to himself, about her culinary skills. Nevertheless, his goal to ensure Helen will be OK after he’s gone is admirable. It’s clear, too, that Borden loves his wife; he’s often in trouble due to excessive drinking, but he’s at least worried that Helen will be mad. The zany story goes in surprising directions, like when Helen suddenly becomes intent on communicating with her canine client, Haggis. She succeeds, a turn that has a humorous connection to the main plot. The ending doesn’t quite answer all the questions—a suitcase mix-up remains a bit perplexing—but Muggington largely resolves the story.
Not the most simpatico protagonist, but continuous mishaps make for a gloriously absurd tale.Pub Date: Oct. 20, 2015
ISBN: 978-1-5170-7443-2
Page Count: 280
Publisher: CreateSpace
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 15, 2016
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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