Groundbreaking and unforgettable.
In Aleppo City, in 2013, young Amina’s life is changed forever when a bomb destroys her neighborhood and her family joins the millions of refugees fleeing Syria.
In this graphic novel, Amina uses flashbacks and spare text to narrate her journey from living a happy life in Syria to resettling in Canada as a refugee. Amina is a bright student whose favorite part of the day is returning home from school, where she is greeted warmly by her grandfather and then reads books in the home of her uncle, a professor. This life ends with an explosion on the second page. Her family flees to Lebanon, where they end up in a refugee camp when their savings run out. Amina is lucky to get a spot in the overcrowded schools, but when her brother falls ill, the family must make a series of heartbreaking decisions in order to pay for his lifesaving medications. When the stress of renewing expensive visas becomes too much and unethical smugglers make life impossible, Amina finally finds help with a resettling agency. The story wraps up quickly from there. Based on Kullab’s extensive experience with refugees, the novel skillfully depicts situations and drastic decisions many Syrian refugees face. The graphic-novel format is perfect for the story, using cinematic techniques to propel the story and adding poignant notes, as when Amina’s father reads a text message asking for help and conceals it from her. Extensive endnotes highlight the true events referenced in the book.
Groundbreaking and unforgettable. (Graphic historical fiction. 12-17)Pub Date: Oct. 1, 2017
ISBN: 978-1-77085-982-1
Page Count: 96
Publisher: Firefly
Review Posted Online: Aug. 26, 2017
Kirkus Reviews Issue: Sept. 15, 2017
A graphic-novel treatment of Shakespeare that fails miserably where others have succeeded. In this brutally savaged graphic adaptation of the play, the Bard’s lines have been transformed into conversational banality (“How is it going, Shylock?”; "That goes for me too!") within often-misplaced dialogue balloons. Astonishingly, there’s nary a mention of Jews, leaching all the power from Shylock's "Has not a Jew..." speech ("And why has [Antonio] done this? Do I not have eyes like everyone else..."). Actually, just about all of the set speeches are nearly unrecognizable: "The quality of mercy is not strained" becomes “You don’t need to have a reason to show mercy.” Visually, the floridly dressed Venetian figures in Kumar’s showy illustrations just stand about in panel after panel, gesturing awkwardly and looking past one another’s shoulders. Portia’s taste for revealing, off-the-shoulder gowns may give adolescent gawkers pause, but as an invitation to read the original or see it performed here’s sure proof that all that glisters is not gold. A closing set of riddles is offered as an activity link to Portia’s three boxes in the play. Skip. (Graphic adaptation. 12-14)
Pub Date: May 17, 2011
ISBN: 978-93-80028-59-0
Page Count: 22
Publisher: Campfire
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
Despite plenty of spattered blood and armored warriors sporting the oversized thews of Conanlike barbarians, this fictionalized graphic rendition of Xenophon’s Anabasis fails to give the renowned retreat much life or drama—or even to tell a coherent story. The narrative of foot soldier Eustachius opens with the realization of the Greek mercenaries that they’ve been suckered into taking on the entire Persian army and then follows the core that survives the battle of Cunaxa (and the death of Cyrus, their employer) on its more than 1,000-mile march through hostile territory back to Greece. It is brought to grinding halts first by an overlong flashback to peaceful times and later by a lurid but superfluous dream. Not only does the soldiers’ relentless bickering form a distracting backdrop to the exhausting marches and costly battles, but much of the visual action is squeezed into small inset panels where it shares space with boxes of wordy dialogue and commentary. Furthermore the art looks sketchier in some panels than others, and the characters (particularly when their faces are obscured by wraparound helmets) tend to look alike. Fans of Frank Miller’s epic 300 (1999) may be lured by the similar title, but will come away disappointed. (Graphic novel. 12-15)
Pub Date: May 31, 2011
ISBN: 978-93-80028-61-3
Page Count: 72
Publisher: Campfire
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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