Cassandra is compelling, but despite graphic, sometimes gratuitous eroticism and violence, the ambitious novel eventually...
Tan debuts with a cinematically epic ghost story set largely on a Malaysian island that bears a striking resemblance to her native Singapore.
In 2010, fearing that she is being erased from history, an aged woman living in Tokyo recounts her life to a visiting professor: Born in 1922 Shanghai, Ling and her twin brother, Li, are inseparable until 7-year-old Ling realizes that she can see ghosts while he can’t. From then on, ghosts surround her, some charming, some sorrowful, some horrific. During the Depression, Ling’s father loses his teaching job. At the insistence of Ling’s agoraphobic mother, he travels to the island in search of work, taking only the twins with him. They live in poverty, but Ling enjoys the cosmopolitan city until her father takes a job managing a rubber plantation when she is 12. He proves inept, so for three years Li and Ling run the operation, engaging in a little incest along the way, until the spirits of the dead rise up in an act of violence. As Japanese power builds ominously, Ling takes a job with the wealthy Wee family. Before long, she is engaged to sweet, dopey Daniel Wee and has changed her name to Cassandra. Recognizing her as a kindred spirit, the Wees’ chauffeur, Issa, encourages her to corral her power over the spirit world, but she bungles her attempt. The Japanese invade; the Wees are destroyed; and she becomes a Japanese officer’s sex toy until the British return victorious. Cassandra reunites with Issa and with Daniel’s former schoolmate, Kenneth. Helping them in their struggle for postwar independence, Cassandra enlists a host of child ghosts who wreak uncontrollable havoc. As Kenneth rises in the political world, he becomes Cassandra’s secret lover, but their affair is doomed: He embodies the relentless pursuit of ghost-free prosperity, while she can’t shake the haunted tension between the present and the past.
Cassandra is compelling, but despite graphic, sometimes gratuitous eroticism and violence, the ambitious novel eventually becomes a slog through too many ghosts.Pub Date: Aug. 7, 2012
ISBN: 978-0-446-56392-5
Page Count: 480
Publisher: Grand Central Publishing
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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