A glimpse of how schizophrenia looks and feels from the inside.
A schizophrenic’s autobiographical manuscript serves as a creative-nonfiction project for his niece.
As a graduate student in creative nonfiction at the University of Iowa, former BuzzFeed editor Allen received a large envelope from the man she had affectionately known as “my crazy uncle Bob.” Her mother’s brother hadn’t been in much contact with the rest of the family outside of phone calls and an occasional cassette of the music he made and that obsessed him. The author set it aside because it disturbed her. However, she eventually not only read it, but began devoting much of her scholastic energy to it, sharing it with fellow students and writing an essay about it. Once she had brought herself to read it, “what surprised me was how much I liked it—his word choices and style.” Allen alternates between her edit of the manuscript she received, preserving the style and substance but cleaning it up some (it had been in all capital letters with irregular punctuation), and her own interpretation of what happened to her uncle: her attempts to corroborate what he had written with his parents and friends and her views on his treatment and psychiatry in general. The result is a patchwork, with the reader not sure what to believe and why it should be significant. Family members disagreed over Bob’s diagnosis and his recollections, and Allen’s own attempts to find perspective lack authority. “In my experience,” she writes, “people who’ve been psychiatrically diagnosed feel a variety of ways about their diagnosis and about the field of psychiatry itself.” She elaborates, “no two people I’ve interviewed or resources I’ve read about mental health care in America have felt the same way about what the right treatment should look like. But almost everyone who follows these issues agrees that the situation at present is quite grim.” Bob may not have managed to fit inside society, but he found a measure of peace outside it.
A glimpse of how schizophrenia looks and feels from the inside.Pub Date: Jan. 23, 2018
ISBN: 978-1-5011-3403-6
Page Count: 288
Publisher: Scribner
Review Posted Online: Oct. 16, 2017
Kirkus Reviews Issue: Nov. 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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