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A KIND OF MIRRACULAS PARADISE

A TRUE STORY ABOUT SCHIZOPHRENIA

A glimpse of how schizophrenia looks and feels from the inside.

A schizophrenic’s autobiographical manuscript serves as a creative-nonfiction project for his niece.

As a graduate student in creative nonfiction at the University of Iowa, former BuzzFeed editor Allen received a large envelope from the man she had affectionately known as “my crazy uncle Bob.” Her mother’s brother hadn’t been in much contact with the rest of the family outside of phone calls and an occasional cassette of the music he made and that obsessed him. The author set it aside because it disturbed her. However, she eventually not only read it, but began devoting much of her scholastic energy to it, sharing it with fellow students and writing an essay about it. Once she had brought herself to read it, “what surprised me was how much I liked it—his word choices and style.” Allen alternates between her edit of the manuscript she received, preserving the style and substance but cleaning it up some (it had been in all capital letters with irregular punctuation), and her own interpretation of what happened to her uncle: her attempts to corroborate what he had written with his parents and friends and her views on his treatment and psychiatry in general. The result is a patchwork, with the reader not sure what to believe and why it should be significant. Family members disagreed over Bob’s diagnosis and his recollections, and Allen’s own attempts to find perspective lack authority. “In my experience,” she writes, “people who’ve been psychiatrically diagnosed feel a variety of ways about their diagnosis and about the field of psychiatry itself.” She elaborates, “no two people I’ve interviewed or resources I’ve read about mental health care in America have felt the same way about what the right treatment should look like. But almost everyone who follows these issues agrees that the situation at present is quite grim.” Bob may not have managed to fit inside society, but he found a measure of peace outside it.

A glimpse of how schizophrenia looks and feels from the inside.

Pub Date: Jan. 23, 2018

ISBN: 978-1-5011-3403-6

Page Count: 288

Publisher: Scribner

Review Posted Online: Oct. 16, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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