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PLAY DIRTY

Solid, satisfying thriller from the prolific Brown (Ricochet, 2006 etc.).

Fallen gridiron great, fresh out of prison, reluctantly agrees to impregnate the wife of a disabled millionaire.

After doing five years for throwing a game to settle a gambling debt with a crime syndicate, former Dallas Cowboy Griff Burkett knows his employment options are limited. A social pariah, the one-time hero quarterback is despised by the very public that once worshipped him. Still, he understandably balks when wheelchair-bound airline mogul Foster Speakman taps the ex-con for a most indecent proposal: knock-up his wife Laura; keep the baby’s real paternity a secret; walk away with millions. The gig sounds too good to be true, and the fact that Speakman insists on a “natural” conception rather than artificial means that something is not quite right. For his part, Griff does need the money, and Mrs. Speakman, while not exactly his usual type, is certainly easy on the eyes. The two have several meetings, and devoted wife Laura immediately finds herself torn with guilt over the infidelity, but also stirred by the feelings hunky Griff brings out in her. Meanwhile, Griff is being tailed by Detective Rodarte, a twisted cop who will stop at nothing (rape, murder) to see Griff back in jail or dead. After an especially passionate interlude with Griff, Laura conceives, but her joy is short-lived as her husband meets a sudden grisly end, with Griff implicated in his death. Griff is then forced to go on the run to find a witness to clear his name—before Rodarte does. He abducts the only slightly unwilling Laura to aid him in his plan, and is amazed when he realizes that staying off death row doesn’t seem to matter as much as protecting her and their unborn child. He’s a changed man, and Griff and Laura’s psychologically complex grown-up relationship is a pleasant surprise that sets the stage for the bloody finish.

Solid, satisfying thriller from the prolific Brown (Ricochet, 2006 etc.).

Pub Date: Aug. 1, 2007

ISBN: 978-0-7432-8935-1

Page Count: 416

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2007

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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