Dallas’s sixth (after Alice’s Tulips, 2000, etc.) is as satisfying as a John Ford movie, with just the right touches of...
Varmints and vixens . . . way out west, circa the 1880s.
Addie French was famous for making the best chili in New Mexico before she moved to dusty little Nalgitas and opened a bordello called the Chili Queen. Keeping all those cowboys and miners happy with only three or four whores ain’t easy, and she even takes on a few customers herself now and then. Her only help is a powerfully built black woman who goes by the odd name of “Welcome,” since no one else wants to cook and clean for temperamental prostitutes. But Addie makes enough money to get by and takes her own pleasure with Ned, who’s hiding out at the Chili Queen after several lucrative bank robberies. Addie takes in homely mail-order bride Emma, who was abandoned by Addie’s priggish brother John and left at the depot by the man who was supposed to claim her. She treats Emma as an honored guest, thinking of making her a milliner, since she sews a fine seam. She’s nonplussed, however, when Ned takes a shine to the lonely woman. The three cook up a land-buying scheme to fleece Emma’s brother, but John insists on two conditions: he’ll return to see the land for himself, and he’ll put up only half the purchase price. By now Ned is in love with Emma, who has a magical way of looking pretty when she wants to. He plans another robbery to come up with the other half and swindle John—not realizing he’s already being taken by a pair of bunco artists. Once the double-crossing begins, it doesn’t stop, but even Addie doesn’t realize that Welcome is in on the scam as well. Interwoven are the tragic stories of Emma, John, Welcome, and Ned—providing a look at the darker history of the Old West.
Dallas’s sixth (after Alice’s Tulips, 2000, etc.) is as satisfying as a John Ford movie, with just the right touches of humor and period detail.Pub Date: Sept. 1, 2002
ISBN: 0-312-30349-1
Page Count: 304
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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