by Sandra A. Miller ‧ RELEASE DATE: Sept. 19, 2019
A stirring memoir that beautifully and humorously captures the pain of unresolved loss.
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A writer recounts her playful search for buried treasure and a more serious hunt for some emotional meaning that she struggles to define.
At the age of 46, debut author Miller had what most would consider an enviable life: a vibrant career as a writer and “part-time college English teacher,” a loving husband, and “two madcap kids,” not to mention no shortage of friends. But she still felt profoundly discontent, as if she was “made of longing”: “What is missing that will make me feel whole, and why, when I’m teetering on the brink of fifty, can I still not find it?” She channeled her questing energy into a gamesome “armchair treasure hunt,” an organized competition in which the contestants interpreted clues in order to track down $10,000 in coins buried somewhere in New York City. She became increasingly obsessed with the search and developed an unhealthy crush on her treasure hunt partner, David, who stimulated “unbidden longing” in her. She spent so much time driving back and forth between her home in Boston and New York, her marriage to her husband, Mark, began to suffer. When pressed why precisely she felt such an urgent compulsion to find the treasure, she was exasperatingly incapable of articulating an answer. The author poignantly documents, in sometimes-painful vignettes of retrospection, the dysfunctional childhood that surely was the principal source of her midlife crisis. Miller recounts that she grew up in an emotionally arid home: Her mother was coldly angry and her father, distant and uncommunicative at best and mercurially violent on his worst days. Her prose is both playfully anecdotal and openhandedly confessional—the author achieves an impressive balance between lighthearted banter and heartache. The chief preoccupation of the remembrance—the author’s amorphous but devastating dissatisfaction at approaching 50—is not exactly new literary ground, and the symbolism of the treasure hunt, if that search weren’t real, would read as a clumsily obvious metaphor. But her writing style is so unpretentiously candid and her childhood so grimly remarkable that readers are unlikely to mind. This is a moving recollection brimming with emotional insights.
A stirring memoir that beautifully and humorously captures the pain of unresolved loss.Pub Date: Sept. 19, 2019
ISBN: 978-1-941932-12-4
Page Count: 220
Publisher: Brown Paper Press
Review Posted Online: Sept. 24, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Review Program: Kirkus Indie
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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