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THE MADWOMAN IN THE VOLVO

MY YEAR OF RAGING HORMONES

A funny, frank and hopeful memoir of middle age.

A writer and syndicated radio host’s no-holds-barred account of how she survived the rigors of midlife crisis and menopause.

When Atlantic contributing editor Loh (Mother on Fire: A True Motherf%#$@ Story About Parenting!, 2008, etc.) reached her late 40s, the stability and rationality that had characterized her world suddenly vanished. Feeling vaguely trapped by a staid marriage, she made a “prison break” with an equally bored married man into what she thought was the freedom of an affair. The result was a messy divorce and an even messier period of regrouping. But Loh’s malaise persisted and began to manifest as physical symptoms—including bloating, weight gain and rapidly shifting moods—she could neither explain nor completely control. With candor and attitude to spare, the author chronicles how she navigated the unexpected transformations that occur in all midlife women. Determined to find a way to endure “the change” with her sanity intact, she explored everything from best-selling books about finding happiness to hip new exercise trends like Kettlebelling. But sometimes even her best efforts were not enough. As she tried to cope with her unsettling physical and emotional changes, she also had to deal with other volatile situations. One was her two daughters’ transitions into adolescence and immersion into “the peculiar horrors of Facebook.” The other was her eccentric octogenarian father’s decision to marry a younger woman he thought would take care of him but who would eventually be diagnosed with a severe case of dementia. Loh observes that late baby boomer/early Gen-X women like Madonna, Oprah and Demi Moore have helped remove the stigma associated with “the change” and shown that menopause can be a time of female empowerment rather than hysterical helplessness. Humbled and changed from the inside out, Loh still celebrates menopause as a brand of wisdom revealing “this chore wheel called modern life” for the sham it is.

A funny, frank and hopeful memoir of middle age.

Pub Date: May 5, 2014

ISBN: 978-0-393-08868-7

Page Count: 256

Publisher: Norton

Review Posted Online: March 4, 2014

Kirkus Reviews Issue: March 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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