by Sands Hall ‧ RELEASE DATE: March 13, 2018
Frank and edifying information on Scientology from a woman who experienced it firsthand. A good complement to Lawrence...
A former Scientologist examines why she entered the church and then left it.
Hall (English/Franklin & Marshall Coll.; Tools of the Writer’s Craft, 2005, etc.) didn't intend to join with the Scientologists, but when she fell in love with a man who was deeply committed to the Church of Scientology, her resolve was slowly worn away. In this revealing memoir, the author explains her many conflicting emotions toward the religion before, during, and after her seven years as a Scientologist. Aspects of the structure appealed to her—e.g., the examining of words and the ability to work out problems so they didn't fester—but other parts deeply bothered her: the expenses involved in purchasing the books written by L. Ron Hubbard and of attending classes, the lifetime (and beyond) commitment required to reach a higher level, and some of the controversial tactics that she heard were used by some Scientologists. Throughout the book, Hall interweaves the story of her family, particularly of her older brother, Oakley, a wild child and wilder adult who eventually took one risk too many and suffered permanent consequences. The author is sincere and open about why Scientology appealed to her, and she effectively uses Hubbard's work to show the complexity and strangeness of thinking. Using the terminology of the Scientologists, she discusses the tactics of "auditing," or counseling, the training routines, the endless drills she went through to learn the Tech, and the anxiety she felt when she had to visit the “Ethics Officer.” All of these tactics are used to drill into the minds of believers that Hubbard's version of reality is the absolute truth. Hall risks her friendships with Scientologists by revealing what she experienced, and her work serves as a significant behind-the-scenes look at this cultlike religion.
Frank and edifying information on Scientology from a woman who experienced it firsthand. A good complement to Lawrence Wright’s Going Clear (2013).Pub Date: March 13, 2018
ISBN: 978-1-61902-178-5
Page Count: 368
Publisher: Counterpoint
Review Posted Online: Jan. 7, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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by Sands Hall
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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