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MONDAY MORNINGS

Competent but no more—and, of course, one always wants something beyond mere competence from a surgeon.

Standard-issue medical procedural from CNN medical correspondent and surgeon Gupta (Cheating Death, 2009). 

In this debut novel, Gupta commits some of the more common errors of Fiction 101 by telling more than showing, and then showing the mundane with as much attention as the distinctive. Thus the second sentence of the book: “Wearing bright blue polyester jumpsuits with a yellow insignia on the left front pocket and standard-issue black boots, they were moving fast.” Moving fast, check. But would it have mattered whether the uniforms were of green cotton, the badges red, the boots brown? The matter-of-factness and attention to every detail would probably serve a surgeon in theater very well, the purposes of a yarn less effectively; yet both qualities overwhelm the dramatic: “The aneurysm, a small blister on the surface of an artery, had suddenly let loose, spraying blood throughout her brain. She had likely felt a sudden thunderclap headache, and within seconds was rendered unconscious.” “One of the possible risks was damage to the olfactory nerve that ran near the cancerous growth. If that was nicked or cut, the patient would lose the sense of smell.” Just so, Gupta’s characters are of the stock variety: the hardbitten, arrogant master cutter, the encouraging mentor, the poor kid out to save the world ("the first Robidaux to consider college," the foreign resident who works twice as hard as everyone else—in short, the kind of people whom, mutatis mutandis, you’d send into combat in a World War II film, or, in this instance, into the emergency ward. In that regard, Gupta’s book makes its greatest contribution: It shows that a doctor’s life isn’t all glamour and golf on one hand or completely clinical on the other, even if most of the coitus is interruptus. All does not end well, not for certain patients and certain docs alike, but the quotidian world ticks on; it’s very much as if James Michener had attempted a medical thriller, though without the thrill and without Michener’s epic length. 

Competent but no more—and, of course, one always wants something beyond mere competence from a surgeon.

Pub Date: March 6, 2012

ISBN: 978-0-446-58385-5

Page Count: 304

Publisher: Grand Central Publishing

Review Posted Online: March 4, 2012

Kirkus Reviews Issue: March 15, 2012

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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