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MONDAY MORNINGS

Competent but no more—and, of course, one always wants something beyond mere competence from a surgeon.

Standard-issue medical procedural from CNN medical correspondent and surgeon Gupta (Cheating Death, 2009). 

In this debut novel, Gupta commits some of the more common errors of Fiction 101 by telling more than showing, and then showing the mundane with as much attention as the distinctive. Thus the second sentence of the book: “Wearing bright blue polyester jumpsuits with a yellow insignia on the left front pocket and standard-issue black boots, they were moving fast.” Moving fast, check. But would it have mattered whether the uniforms were of green cotton, the badges red, the boots brown? The matter-of-factness and attention to every detail would probably serve a surgeon in theater very well, the purposes of a yarn less effectively; yet both qualities overwhelm the dramatic: “The aneurysm, a small blister on the surface of an artery, had suddenly let loose, spraying blood throughout her brain. She had likely felt a sudden thunderclap headache, and within seconds was rendered unconscious.” “One of the possible risks was damage to the olfactory nerve that ran near the cancerous growth. If that was nicked or cut, the patient would lose the sense of smell.” Just so, Gupta’s characters are of the stock variety: the hardbitten, arrogant master cutter, the encouraging mentor, the poor kid out to save the world ("the first Robidaux to consider college," the foreign resident who works twice as hard as everyone else—in short, the kind of people whom, mutatis mutandis, you’d send into combat in a World War II film, or, in this instance, into the emergency ward. In that regard, Gupta’s book makes its greatest contribution: It shows that a doctor’s life isn’t all glamour and golf on one hand or completely clinical on the other, even if most of the coitus is interruptus. All does not end well, not for certain patients and certain docs alike, but the quotidian world ticks on; it’s very much as if James Michener had attempted a medical thriller, though without the thrill and without Michener’s epic length. 

Competent but no more—and, of course, one always wants something beyond mere competence from a surgeon.

Pub Date: March 6, 2012

ISBN: 978-0-446-58385-5

Page Count: 304

Publisher: Grand Central Publishing

Review Posted Online: March 4, 2012

Kirkus Reviews Issue: March 15, 2012

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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