A good read, with interesting and credible characters working their way through the chaos of modern hospital life.
A sort of curried Scrubs, in which physician/novelist Nigam (The Snake Charmer, 1998) takes us on Grand Rounds through a New York City hospital staffed largely by Indian expatriates.
During his residency, Sonny Seth finds himself faced with weird conditions and even weirder patients every day and is given very little time to think about them. Raised in Arizona, Sonny is of Indian birth, but he never knew his father and seems more at ease with American culture than do many of his (largely Indian) patients. There’s Sonali, for instance, whose husband Nishad became so obsessed with her buttocks that he succumbed to temptation one night and took a bite out of one of them (which became badly infected). There’s the Comatose Patient, who is actually perfectly lucid but pretends to be unconscious to avoid dealing with his wife and mistress (who hate him). And the Transplanted Man, in for kidney dialysis, has over the years exchanged his lungs, corneas, pancreas, heart, and liver for new models. Minister of Health in the Indian government, the Transplanted Man is thought to have a good shot at becoming the next prime minister, but there are financial scandals in his past—and his opponents are making hay of his tendency to travel abroad for medical treatment. One of his regular visitors is the Uriah Heep-ish Sharad Kakkar, a Bollywood matinee idol who wants to enter politics and is trying to wrest an endorsement from the Transplanted Man’s feeble fingers. Sonny grows close to the Transplanted Man, who turns out to have more of a connection with him than he would have guessed. Nigam’s cast of characters is large enough to provide plenty of distraction (a psychotherapist named Dr. Guru; a scientist who may have discovered a cure for insomnia; etc.) but not too numerous to overwhelm.
A good read, with interesting and credible characters working their way through the chaos of modern hospital life.Pub Date: Aug. 1, 2002
ISBN: 0-688-16819-1
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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