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THE SNAKE CHARMER

In a beautifully rendered but slight debut novel about the getting of wisdom, an Indian snake charmer struggles to find meaning after he impetuously destroys what he loves most. While Sonalal, the snake charmer, is a fully realized creation, his story may have been better suited for a novella, for it doesn—t, good as it is, quite fill out the more ample contours of a novel. Author Nigam, though, does lyrically evoke the place, Delhi, and the mood—arising from the consuming need to atone and understand—as he tells this story of the most talented snake charmer and musician in all of India. Middle-aged Sonalal is one of the many street artists and beggars who gather at Hamayun’s Tomb in Delhi to entertain or fleece the tourists. One day, to revive a tired Raju, his snake, who had been performing all day, Sonalal plays music that, had it been recorded, might have guaranteed him immortality. Raju responds, but when Sonalal goes on to play a note wrong, the snake stops dancing, and the humiliated musician picks him up and bites him in two. The act makes Sonalal a celebrity and temporarily wealthy, but he’s heartbroken and horrified by what he’s done to his beloved Raju. His wife is a shrew, his children despise him, and only Raju, he believes, understood him. Grieving, despairing of his life, he becomes impotent; he also fears that Raju’s mate is pursuing him. As he searches for answers, Sonalal consults doctors, magicians, and fellow charmers. Then his impotence is cured by Reena, a prostitute whom he loves, and he acquires another snake—even though he never attains with him that moment of godlike perfection he’d shared with Raju. A narrowly averted disaster helps him finally understand that the perfection he had briefly known (—the ether that smelled like a freshly cut mango—) still exists but is hard to attain. A small gem of a story that entertains, moves—and, naturally, charms.

Pub Date: June 9, 1998

ISBN: 0-688-15809-9

Page Count: 224

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1998

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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