An unremarkable father-daughter bonding story in a remarkable setting.
Jolene accompanies her trucker dad on a job to Los Angeles.
It’s time for Jolene’s annual adventure with her dad—she has been making long-haul trips with him since she was 4. She loves camping out in the cab, eating road-stop food, and being together on the road—just the two of them. For this trip, she’s looking forward to rating onion rings together. Things are different this trip, though, because in the last year her parents got divorced when Jolene’s dad came out as gay. She now alternates weeks living with her mom in their old apartment and with her dad in the new apartment he shares with his boyfriend, Joey. These are big changes, but unfortunately, the author doesn’t dive deep into how Jolene is feeling about them, and it seems like a missed opportunity for exploration of identity and feelings as well as a way to model emotional communication in difficult situations. Grayscale illustrations every few pages help pace new chapter-book readers through the story. The text contains no reference to race or ethnicity for Jolene and her parents; the illustrations show a freckle-faced Jolene with brown skin while her mom has dark skin and her dad has white skin. Joey is Coast Salish, and there is an explanation of what “Indigenous” means but not much further exploration of this identity either. Backmatter includes recipes for onion rings, aioli, and spruce-tip syrup.
An unremarkable father-daughter bonding story in a remarkable setting. (Fiction. 6-8)Pub Date: April 7, 2020
ISBN: 978-1-4598-2529-1
Page Count: 112
Publisher: Orca
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Cuter as a child-narrated video, but the message is worthy enough to justify this less-evanescent medium.
How and why a symbol of exclusion can be transformed into just the opposite.
The circle is depicted literally in the illustrations but regarded as metaphorical in the unpolished if earnest rhyme. It begins as a mark “on the ground [drawn] along each shoe” (and then, according to the picture, around toes and heels) as “a safe little place for just one person.” But that makes no more sense that a library with “just one book”—and so it should be expanded to include family, friends, and ultimately the whole world: “In the circles all around us / everywhere that we all go / there’s a difference we can make / and a love we can all show.” Expanding on the Instagram video from which this is spun, the simply drawn art shows one button-eyed, pale-skinned child with a piece of chalk drawing and redrawing an increasingly large circle that first lets in a sibling and their interracial parents, then relatives (including another interracial couple), then larger groups (diverse in age and skin tone, including one child in a wheelchair and one wearing a hijab). In subsequent views figures mix and match in various combinations with interlocking circles of their own while waving personal flags here (“I only like SPORTS!”; “I’m Team CAKE!”) and sharing doughnuts there until a closing invitation to regard “wonder-eyed” our beaming, encircled planet. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 75% of actual size.)
Cuter as a child-narrated video, but the message is worthy enough to justify this less-evanescent medium. (Picture book. 6-8)Pub Date: May 11, 2021
ISBN: 978-0-593-32318-2
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK REVIEW
BOOK REVIEW
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